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Global
P0
P1 P2 P3 P4 P5 P6
Enable Note Off Receive [Off, On]
On (checked): Note-off messages will be received. Normally
you will uncheck this. This parameter is valid when “Hold”
(Program P1: 1–1b) is checked (Hold On). In the case of a
drum program, you will normally select Hold On. In this
case if “Enable Note Off Receive” is checked, note-off mes-
sages will be received, and the sound will stop (the release
segment of the EG will begin) when the key is released.
5–2b: Mixer
Drum kits will sound using the settings of the program
that is selected in Program mode. These settings are
valid when you have checked “Use DKit Setting”
(Program P4: 4–1b) or “Use DKit Setting” (Program P8:
8–1b). Be aware that while editing a drum kit, the
edited results will not be reflected unless these settings
have been made.
BUS Select (IFX/Indiv.Out Assign) (Bus Select)
[L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
For each key, specify the bus to which the sound will be sent.
For example you might send Snare sounds to IFX1 and Kick
sounds to IFX2 to apply separate insert effects, and send the
remaining sounds to L/R without applying insert effects.
Pan [Random, L001...C064...R127]
Specifies the panning for each key.
With a setting of Random, the drum sample will be panned
randomly at each note-on.
Send1 (to MFX1) [000...127]
Send2 (to MFX2) [000...127]
For each key, specify the send levels to master effects 1 and
2. These settings are valid when “BUS Select” (5–2b) is set to
L/R or Off.
If “BUS Select” is set to IFX1–5, the send level to master
effects 1 and 2 will be determined by the Program, Combi-
nation, Sequencer, or Song Play mode P8: Insert FX page
parameters “Send 1” and “Send 2” which are located after
the sound passes through IFX1, 2, 3, 4, or 5.
Here you can create user arpeggio patterns.
In this page, the TRITON STUDIO will sound as it did in the
mode you were in before entering Global mode.
If you moved here from Program mode: Your editing will
apply to the arpeggio pattern that is selected by the pro-
gram. Even if you moved from a program in which the
arpeggiator is turned off, it can be turned on by the ARPEG-
GIATOR [ON/OFF] key.
If you moved here from Combination mode: Your editing
will apply to the arpeggio pattern that is selected by the
combination. Even if you moved from a combination in
which the arpeggiator is turned off, it can be turned on by
the ARPEGGIATOR [ON/OFF] key.
However, it is not possible to turn on an arpeggiator for
which the “Arpeggiator Run” (Combination P0: 0–3a, P7: 7–
1c) parameter A or B is not checked. Also, if the arpeggiator
is not assigned to a timbre by “Arpeggiator Assign” (Com-
bination P7: 7–1b), the arpeggiator will not run.
If you moved here from Sequencer or Song Play mode:
Your editing will apply to the arpeggio pattern specified for
the selected song.
Even if you moved here from settings in which the arpeggia-
tor was turned off, you can use the ARPEGGIATOR [ON/
OFF] key to turn it on. However, it is not possible to turn on
an arpeggiator for which the “Arpeggiator Run” (P7: 7–1a/
2a) parameter A or B is not checked. Also, the arpeggiator
will not operate if it has not been assigned to a timbre in
“Arpeggiator Assign” (P7: 7–1a/2a).
In each of the above cases, you can modify the settings of the
arpeggio pattern even if the arpeggiator is not turned on.
When editing a pattern, it is a good idea to turn on the
arpeggiator and make sure that it is the pattern that you
wish to edit.
If you moved here from Sampling mode: The arpeg-
giator will not turn on, nor will it be possible to edit the
arpeggio pattern.
If you want the edited user arpeggio pattern settings to
be backed up even when the power is turned off, you
must write them into memory. Select the “Write Arpeg-
gio Pattern” page menu command to access the Write
Arpeggio Pattern dialog box. Alternatively, press the
SEQUNECER [REC/WRITE] key to access the “Update
Arpeggio Patterns” dialog box. Then press the OK but-
ton to write the edited data.
☞For details on creating an arpeggio pattern, refer to BG
p.130.
6–1: Pattern Setup
Global P6: User Arpeggio
6–1
6–1a
6–1b