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260
is running, note-on/off messages will be transmitted by the
arpeggiator. (If Local Control is off, the arpeggiator will not
transmit note-on/off data. “Local Control On settings”
☞p.259)
However, most instruments do not receive or transmit note-
off velocity, and neither does the TRITON STUDIO.
Program Change/Bank Select
Changing the program/bank
Program change [Cn, pp]
(n: channel, pp: program number that allows 128 sounds to
be selected)
• Programs 000–127 in banks I-A–I-F correspond to
program changes [Cn, 00]–[Cn, 7F].
• Programs 001–128 in banks G, g(1), g(2), g(3), g(4), g(5),
g(6), g(7), g(8), g(9), and g(d) correspond to program
changes [Cn, 00]–[Cn, 7F].
Bank select MSB (CC#0) [Bn, 00, mm]
Bank select LSB (CC#32) [Bn, 20, bb]
(n: channel, mm: bank number upper byte, bb: bank number
lower byte)
• The internal banks that correspond to each bank select
number will depend on the “Bank Map” setting (Global
P0: 0–2a). With the factory settings, this will be GM(2).
(“Bank Map” ☞p.137)
Simply receiving a Bank Select message will not cause the
program or bank to change. The program or bank will actu-
ally change when a Program Change message is received.
Program mode
• In Program P0: Play, program change and bank select
messages are transmitted and received on the global
MIDI channel. These messages are not received in P1:
Edit-Basic – P9: Edit-Master Effect.
Combination, Sequencer, and Song Play modes
• Program change and bank select messages can be
received on the MIDI channel specified for each timbre/
track to select programs on that timbre/track.
• When you select a combination, program change and
bank select messages will be transmitted by timbres
whose “Status” is EXT or EX2.
In Sequencer and Song Play modes, program change or
bank select messages will be transmitted by tracks whose
“Status” is BTH, EXT, or EX2 when you select the “Pro-
gram Select” (P0: Program page), when you select a song,
or when you return to the beginning of a measure. (“Pro-
gram select” ☞p.51)
• In Combination and Sequencer modes, transmission/
reception can be switched on/off for each timbre/track.
(“Enable Program Change” ☞p.40, 65).
Selecting combinations
You can use program change and bank select messages to
select combinations in the same way that you select pro-
grams.
• Combinations 000–127 in banks I-A–I-E and E-A–E-G
correspond to program changes [Cn, 00]–[Cn, 7F].
• Similarly as for program banks, the internal banks that
correspond to each bank select number will depend on
the “Bank Map” setting (Global P0: 0–2a). (“Bank Map”
☞p.137)
• In Combination P0: Play, program change and bank
select messages are transmitted/received on the global
MIDI channel. They are not received in P1: Edit-
Program/Mixer – P9: Edit-Master FX.
All program changes can be turned off in MIDI Filter
(Global P1: 1–1b)
As needed, you can independently turn all program changes
on/off, specify whether or not incoming messages will be
able to change combinations, and turn reception/transmis-
sion of bank select messages on/off.
• If “Enable Combination Change” (Global P1: 1–1b) is
unchecked, the combination will not change even if a
program change on the global MIDI channel is received
in Combination P0: Play. In this case, the program of the
timbre that matches the MIDI channel of the received
message will change.
• If “Enable Bank Change” (Global P1: 1–1b) is unchecked,
bank select messages will not be transmitted or received.
After touch
Channel after touch [Dn, vv] (n: channel, vv: value)
When you apply pressure to the keyboard after playing a
note, an after touch effect will be applied, and Channel After
Touch messages will be transmitted. When these messages
are received, an after touch effect will be applied.
• After touch for the entire instrument can be turned on/
off in Global P1: 1–1b “Enable After Touch.”
• In Combination and Sequencer modes, after touch can
be switched on/off independently for each timbre/track
(“Enable After Touch” Combination P3: 3–1a, Sequncer
P3: 3–3a/4a).
Polyphonic key pressure [An, kk, vv]
(n: channel, kk: note number, vv: value)
There is another type of after touch called Polyphonic Key
Pressure, which allows after touch to be applied indepen-
dently for individual keys. This message can be used as an
alternate modulation source, but cannot be transmitted by
the TRITON STUDIO’s keyboard. In order to use this mes-
sage, it will have to be received from an external device, or
recorded on your sequencer.
The after touch mentioned in this manual refers to Channel
After Touch.
Pitch bender
Pitch bender change [En, bb, mm]
(n: channel, bb: lower byte of the value, mm: upper byte of
the value, together expressing a value of 16,384 steps where
8,192 [bb, mm = 00H, 40H] is the center value)
When the TRITON STUDIO’s joystick is moved in the X axis
(left/right), a pitch bend effect will be applied, and pitch
bender messages will also be transmitted. When these mes-
sages are received, a pitch bend effect will be applied.
The range of pitch change that is produced by pitch
bend messages can also be adjusted via MIDI. (“Chang-
ing the pitch bend range” ☞p.264)
Control change
[Bn, cc, vv]
Transmitted and received as (n: channel, cc: control change
no., vv: value)
Refer to “MIDI transmission when the TRITON STUDIO’s
controllers are operated” (☞p.253) and “TRITON STUDIO
operations when control changes are transmitted/received”
(☞p.255).
• Control changes can be turned on/off as a whole in
“Enable Control Change” (Global P1: 1–1b).