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Appendices
• In Combination and Sequencer modes, the P3: MIDI
Filter settings allow transmission/reception of control
changes to be individually turned on/off for each
timbre/track. For the assignable controllers ([SW1],
[SW2], REALTIME CONTROLS [1]–[4] knobs, Foot
Pedal/Switch), MIDI filter settings will apply to the
control change number to which each controller is
assigned. “Other Control Change” applies to control
changes that are not covered by the items of the other
check boxes.
MIDI CC#00–CC#95 can be selected for the B-mode of
REALTIME CONTROLS [1]–[4] knobs.
Selecting program/combination banks
Bank select (CC#00, CC#32)
“Program Change/Bank Select” (☞p.260)
Using the joystick to apply modulation
Modulation 1 depth (CC#01) [Bn, 01, vv]
When you move the TRITON STUDIO’s joystick in the +Y
direction (Vertical upward), Modulation 1 Depth messages
will be transmitted. When these messages are received, the
same effect will be applied as when the TRITON STUDIO’s
joystick is operated. Normally this will apply a vibrato effect
(pitch LFO).
• In Combination and Sequencer modes, transmission/
reception can be switched on/off for each timbre/track
(“Enable JS+Y” Combination P3: 3–1a, Sequencer P3: 3–
3a/4a).
Modulation 2 depth (CC#02) [Bn, 02, vv]
When you move the TRITON STUDIO’s joystick in the –Y
direction (Vertical downward), Modulation 2 Depth mes-
sages will be transmitted. When these messages are
received, the same effect will be applied as when the TRI-
TON STUDIO’s joystick is operated. Normally this will
apply a wah effect (filter LFO).
• In Combination and Sequencer modes, transmission/
reception can be switched on/off for each timbre/track
(“Enable JS-Y” Combination P3: 3–1a, Sequencer P3: 3–
3a/4a).
Other manufacturers use this message for other pur-
poses (e.g., breath controller, etc.)
Controlling the portamento effect
Portamento time (CC#05) [Bn, 05, vv]
When the above CC# is assigned as a B-mode function for
one of the REALTIME CONTROLS [1]–[4] knobs, rotating
that knob will transmit Portamento Time messages, and will
modify the speed at which the portamento pitch changes.
When this message is received, the result will be the same as
when the controller is operated.
Portamento switch (CC#65) [Bn, 41, vv]
When the above CC# is assigned to [SW1], [SW2] or the
ASSIGNABLE SWITCH, operating that switch will transmit
vv=127 [7F] for ON or vv=0 [00] for OFF, and the porta-
mento effect will be switched on/off. When this message is
received, the result will be the same as when the controller is
operated. (vv of 63 [3F] or less will be OFF, and 64 [40] or
greater will be ON.) (“SW1, SW2 Assign List” ☞p.249)
• In Combination and Sequencer modes, transmission/
reception of this message can be turned on/off
independently for each timbre/track (“Enable
Portamento SW” Combination/Sequencer P3: 3–1a).
• In Sequencer mode, portamento time/switch messages
will be transmitted by each track whose “Status” is BTH,
EXT, or EX2 when you set “Portamento” (P2: 2–3a/4a),
re-select a song or SMF, or return to the beginning of a
measure. (☞p.63)
Controlling the volume
Volume (CC#07) [Bn, 07, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Volume messages, and the volume will change. When this
message is received, the result will be the same as when the
controller is operated.
Expression (CC#11) [Bn, 0B, vv]
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Expression messages, and the volume will change. When
this message is received, the result will be the same as when
the controller is operated.
The volume of the TRITON STUDIO is determined by mul-
tiplying the value of the Volume message with the value of
the Expression message.
If adjusting the Volume message does not increase the vol-
ume as you expect, or if there is no sound, transmit MIDI
messages from an external device to reset the value of the
Expression message (set vv to 127). In Sequencer mode, this
will be reset when the “Location” of the song is moved to
001:01.000.
• In Combination mode, Volume messages will be
transmitted by each timbre whose “Status” is EXT or
EX2 when you re-select the combination.
• When you change the “Volume” setting (Sequencer/
Song Play P0: 0–3a/4a) in Sequencer mode or Song Play
mode, or when you re-select the song or return to the
beginning of the song in Sequencer mode, volume
messages will be transmitted by each track whose
“Status” is BTH, EXT, or EX2.
Regardless of the “Status” settings, re-selecting a song,
or returning to the beginning will reset the internal Vol-
ume value to the value specified by each track (the
starting settings), and will reset the Expression value to
the maximum.
This message can be used to control the volume of each
track. Normally, you will include a Volume message in
the track setting data (the settings at the beginning of
the track) to set the initial volume, and use Expression
to create changes in dynamics as the song progresses.
By using the universal exclusive Master Volume message,
you can adjust the overall volume without changing the vol-
ume balance between timbres or tracks. (“About system
exclusive messages” ☞p.264)
Controlling panpot (stereo position)
Panpot (CC#10) [Bn, 0A, vv]
(vv: value, where 00 is far left, 64 is center, and 127 is far
right)
When the above CC# is assigned to the ASSIGNABLE
PEDAL or as the B-mode function of a REALTIME CON-
TROL knob [1]–[4], operating that controller will transmit
Panpot messages, and the panning will change. When this
message is received, the result will be the same as when the
controller is operated.