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*1On the TRITON STUDIO’s sequencer, bank select mes-
sages are normally specified as a program change event
(“Event Edit” Sequencer P5: 5–1B). However in some
cases this will be insufficient when you wish to change
banks on an external device. In such cases, you can use
CC#00 and CC#32 to specify the banks.
For information on the relation between bank select num-
bers and the banks of your external device, refer to the
owner’s manual for your external device.
*2Unlike conventional control changes, pitch bend range,
fine tune, and coarse tune settings are made using RPC
(Registered Parameter Control) messages. In Program,
Combination, Sequencer, and Song Play modes, you can
use RPC messages to control the bend range and tuning
for each program, combination (Combination), or track
(Sequencer, Song Play). The procedure is to use an RPN
(Registered Parameter Number) message to select the
parameter that you wish to edit, and then use Data Entry
to input a value for that parameter. To select the parame-
ter, use CC#100 (with a value of 00–02) and CC#101 (with
a value of 00). use CC#06 and CC#38 to enter the data.
The data entry values for each parameter and the corre-
sponding settings are as follows.
For example, if in Sequencer mode you wish to set a track
that is receiving channel 1 to a transpose (coarse tuning)
value of –12, you would first transmit [B0, 64, 02]
(64H=CC#100) and [B0, 65, 00] (65H=CC#101) to the TRI-
TON STUDIO to select the RPN coarse tune. Then you
would set this to –12 by transmitting [B0, 06, 34]
(06H=CC#6), 34H=52 (corresponds to –12), and [B0, 26,
00] (26H=CC#38, 00H=0).
*3The volume of the TRITON STUDIO is determined by
multiplying the Volume (CC#07) with the Expression
(CC#11). In Sequencer and Song Play modes when you
stop the song playback and return the location to the
beginning of the track, the Volume will be set to the start-
ing value, and the Expression will be set to the maximum
value (127).
*4
A value of 64 will correspond to the value specified by the
program parameter. 0 will be the minimum, and 127 will
be the maximum. Changing from 63–1 or from 65–126 will
adjust the effect from the program parameter setting
toward the minimum value or maximum value. The inter-
nal program parameters listed in (*4, *5) will be controlled
.
*5If the filter type of the corresponding program is Low
Pass Resonance, the filter resonance level will be con-
trolled. If the filter type is Low Pass & High Pass, the cut-
off frequency of the high pass filter will be controlled.
*4, *5
CC#70–79 correspond to the following program parame-
ters of the TRITON STUDIO.
In Program mode, when CC#70–79 is received on the glo-
bal MIDI channel (“MIDI Channel” Global P1: 1–1a), or
when a REALTIME CONTROLS [1]–[4] knob is operated
in A-mode or in B-mode when the function is assigned to
CC#70–79, the corresponding program parameter will be
edited temporarily. You can execute “Write Program”
(Program 0–1A) to save that state (except for some
parameters). When you execute “Write Program,” the
values of the corresponding program parameters will be
rewritten.
In Sampling mode when playing the currently selected
multisample on the keyboard, the same control changes
or knob operations as in Program mode will temporarily
edit the corresponding program parameters. You can use
“Convert MS to Program” (Sampling 0–1G) to save that
state as a program (except for some parameters).
In Combination, Sequencer, and Song Play modes, the
program parameters of the program for the timbre/
track of the corresponding MIDI channel will change,
but this state can not be saved directly in the program.
CC#70: Sustain level
Corresponds to “Filter/Amp EG Sustain Level” (Pro-
gram P3: Filter 1/2 EG, P4: Amp 1/2 EG page).
CC#71: Filter resonance level/High pass filter cutoff
frequency
Corresponds to “Filter A Resonance” (Program P3: Filter
1/2 page).
Corresponds to “Filter B Frequency” (Program P3: Filter
1/2 page).
CC#72: Release time
Corresponds to “Filter/Amp EG Release Time” (Program
P3: Filter 1/2 EG page, P4: Amp 1/2 EG page).
CC#73: Attack time
Corresponds to Filter/Amp EG Attack Time” (Program
P3: Filter 1/2 EG page, P4: Amp 1/2 EG page)
Corresponds to “Amp EG Start Level” (Program P4:
Amp 1/2 EG page).
Corresponds to “Amp EG Attack Level” (Program P4:
Amp 1/2 EG page).
Corresponds to “Amp EG Level Modulation St” (Pro-
gram P4: Amp 1/2 EG page).
Corresponds to “Amp EG Time Modulation At” (Pro-
gram P4: Amp 1/2 EG page).
CC#74: Low pass filter cutoff frequency
Corresponds to “Filter A Frequency” (Program P3: Filter
1/2 page).
Corresponds to “Filter B Frequency” (Program P3: Filter
1/2 page).
CC#75: Decay time
Corresponds to “Filter/Amp EG Decay Time” (Program
P3: Filter 1/2 EG page, P4: Amp 1/2 EG page)
Corresponds to “Filter/Amp EG Slope Time” (Program
P3: Filter 1/2 EG page, P4: Amp 1/2 EG page)
CC#76: LFO1 speed
Corresponds to “LFO 1 Frequency” (Program P5: OSC1/
2 LFO1 page).
CC#06 CC#38
00
01
12
00
00
0
0
+ 1
+12
CC#06 CC#38
40
52
64
88
00
00
00
00
–24
–12
0
+24
CC#06 CC#38
32
48
64
96
00
00
00
00
–50
–25
0
+50
RPN=0 (Pitch bend range)
RPN=1 (Fine tune)
RPN=2 (Coarse tune)
Parameter value (Semitone steps)
Parameter value (Semitone steps)
Parameter value (1 cent steps)