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numerous repeats have been specified, or if many pat-
terns are used by the songs, you should try executing
the “Convert to Song” command from time to time as
you create the cue list, in order to verify the amount of
memory that will be required for the conversion.
A cue list that is longer than 999 measures cannot be
converted into a song.
1–1E: Copy Song
This command copies a portion (a number of measures) of
the song specified by “Step,” and makes it into a song. This
is convenient when you want to modify the structure or
development of the songs in a cue list.
For example if you have an eight-measure song and want to
repeat measures 5–8, you can use this command to create a
four-measure song out of that portion. Then you can assign
the resulting song to a step in a cue list, and repeat it.
1 In “Current Step,” or “Song” select the desired step.
2 Select “Copy Song” to access the dialog box.
3 In “From Measure,” specify the first measure in the copy
source song. In “To End of Measure,” specify the last
measure.
4 In “To Song,” specify the song into which the data will
be converted. If you select a new song, a dialog box will
ask you for confirmation. Press the OK button to create a
new song and copy the data to that song. If you select an
existing song that already contains settings and/or musi-
cal data, executing this command will erase the data of
that song and rewrite it with the data from the copy
source. Before you execute, be sure that you will not be
losing important data.
5 If you check “Replace to original Song in Cue List” and
execute this command, the “Current Step” song will be
replaced by the newly created song. If you execute with-
out checking this box, the newly created song can be
selected later for the desired step of the cue list.
6 To execute the Copy Song operation, press the OK but-
ton. To cancel, press the Cancel button.
2–1: MIDI Ch 1–8 (MIDI Ch T01–08)
2–2: MIDI Ch 9–16 (MIDI Ch T09–16)
Here you can make MIDI-related settings for each track.
2–1(2)a: Status, MIDI Channel, Bank Select
Status [INT, Off, BTH, EXT, EX2]
This sets the status of MIDI and the internal tone generator
for each track.
INT: When the musical data recorded in the track is played
back, or when you use “Track Select” (0–1a) to select a track
that is set to INT and play the keyboard and operate the
controllers, the internal tone generator of the TRITON STU-
DIO will sound, and MIDI data will not be transmitted to an
external device.
Off: The program will not sound, nor will MIDI data be
transmitted.
BTH: The operation of both INT and EXT will be per-
formed. When the musical data recorded in the track is
played back, or when you select a track that is set to BTH
and play the keyboard and operate the controllers, the inter-
nal tone generator of the TRITON STUDIO will sound, and
at the same time MIDI data will also be transmitted to an
external device.
EXT: When the musical data recorded in the track is played
back, or when you select a track that is set to EXT and play
the keyboard and operate the controllers, MIDI data will be
transmitted to an external device, but the internal tone gen-
erator of the TRITON STUDIO will not sound.
When you select another song or return to the beginning of
the song, the program change, volume, panpot, portamento,
sends 1 and 2, post IFX pan, and post IFX sends 1 and 2 of
each track set to EXT will be transmitted via MIDI.
EX2: “Bank Select (When Status=EX2)” will be enabled.
Instead of the INT-A–EXB-G bank numbers that can be
selected on the TRITON STUDIO, the bank number you
specify here will be transmitted. In other respects this is the
same as EXT.
MIDI data is transmitted and received on the MIDI
channel that is specified separately for each track by
“MIDI Channel.”
Sequencer P2: Trk Param
Recorded data
Keyboard and controller
operations Received data
Status Internal tone
generator
MIDI OUT Internal tone
generator
MIDI OUT
INT ●✕●—
EXT, EX2 ✕●✕—
BTH ●●●—
0–1
0–1a
2–1a
LSB
MSB
0–1b
0–3a