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3–5(6)a: Enable Realtime Control Knob 1...4
Enable Realtime Control Knob 1 [Off, On]
Specifies whether or not the A-mode MIDI control message
CC#74 (the TRITON STUDIO’s low pass filter cutoff fre-
quency) and the B-mode MIDI control message will be
received.
Enable Realtime Control Knob 2 [Off, On]
Specifies whether or not the A-mode MIDI control message
CC#71 (the TRITON STUDIO’s low pass filter resonance or
high pass filter cutoff frequency) and the B-mode MIDI con-
trol message will be received.
Enable Realtime Control Knob 3 [Off, On]
Specifies whether or not the A-mode MIDI control message
CC#79 (the TRITON STUDIO’s filter EG intensity) and the
B-mode MIDI control message will be received.
Enable Realtime Control Knob 4 [Off, On]
Specifies whether or not the A-mode MIDI control message
CC#72 (the release time of the TRITON STUDIO’s filter and
amplifier EG’s) and the B-mode MIDI control message will
be received.
3–7: MIDI 4 1–8 (MIDI Filter –4 T01–08)
3–8: MIDI 4 9–16 (MIDI Filter –4 T09–16)
3–7(8)a: Enable SW1, Enable SW2,
Enable Foot Pedal/Switch,
Enable Other Control Change
Enable SW1, Enable SW2 [Off, On]
Specifies whether or not the effect of the [SW1] and [SW2]
keys will be received.
The function of these keys can be set in P4: Zone/Ctrl, Con-
troller page.
This is valid when the switches are set to SW1 Mod.:CC#80,
SW2 Mod.:CC#81 or Porta.SW:CC#65.
Enable Foot Pedal/Switch [Off, On]
Specifies whether or not the effect of the ASSIGNABLE
PEDAL/SWITCH will be received. The function of this
switch is set in Global P2. This is valid when the switch is set
to a MIDI control change.
Enable Other Control Change [Off, On]
Specifies whether or not MIDI controller messages other
than those included in MIDI Filter 1–4 will be received.
4–1: Key Z 1–8 (Key Zone T01–08)
4–2: Key Z 9–16 (Key Zone T09–16)
Here you can specify the range of keys that will be sounded
by each track.
Top/Bottom Key settings specify the range of notes that will
be sounded by tracks 1–16, and Top/Bottom Slope settings
specify the range from the top/bottom key until the original
volume is reached.
These settings do not affect MIDI transmission/recep-
tion. All note data that is received will be recorded into
the internal sequencer, and all note data from the inter-
nal sequencer or from the keyboard will be transmitted.
4–1a: Zone Map
This shows the range of notes and velocities that will be
sounded by each track 1–16.
The note and velocity ranges are shown as lines, and the
slope area within the range is shown in gray.
4–1(2)b: Top Key, Top Slope, Bottom Slope,
Bottom Key
Top Key [C–1...G9]
Specifies the top key (upper limit) that will be sounded by
each track 1–16.
Top Slope [00...72]
Specifies the key range (12 is one octave) from the top key
until the original volume is reached.
Bottom Slope [00...72]
Specifies the key range (12 is one octave) from the bottom
key until the original volume is reached.
Bottom Key [C–1...G9]
Specifies the bottom key (lower limit) that will be sounded
by each track 1–16.
You can also enter a value for these parameters by play-
ing a note while you hold down the [ENTER] key.
0–1
0–1a
3–7a
0–1b
0–3a
Sequencer P4: Zone/Ctrl
0–1
4–1a
4–1b
0–1a
0–1b
0–3a
Track 1
1 . . . 16
Tr ack
Velocity zone
display
Track 16
C-1 G9
Key zone
display
Bottom Key Top Key
Bottom Slope
Top Velocity
Bottom Velocity
Top Slope
Top Slope
Bottom Slope