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the same global MIDI channel that was used when the
data was transmitted.
To set the MIDI channel of the transmitting device, refer to
the owner’s manual for that device.
3 Either check “Enable Exclusive” (1–1b), or display one
of the page menu commands of this page. When one of
these page menu commands is displayed, data dumps
can be received regardless of the “Enable Exclusive” (1–
1b) setting.
4
Transmit the data from the other device. For the procedure,
refer to the owner’s manual for the device you are using.
While the data is being received, the display will indicate
“Now received MIDI data.”
2–1: Controller
2–1a: Damper/Assignable Foot Switch, Pedal
Foot Switch Assign [Off...SW 2]
Selects the function that will be controlled by a pedal switch
(PS-1 option [sold separately]) connected to the ASSIGN-
ABLE SWITCH jack (“Foot Switch Assign List” ☞p.251).
Foot Pedal Assign [Off...Knob 4]
Selects the function that will be controlled by a foot volume
pedal (XVP-10 or EXP-2 option [sold separately]) connected
to the ASSIGNABLE PEDAL jack (“Foot Pedal Assign List”
☞p.252).
Damper Polarity [(–)KORG Standard, (+)]
Sets this to match the polarity of the damper pedal con-
nected to the DAMPER jack.
If a Korg DS-1H (sold separately) damper pedal is connected,
the pedal switch polarity will be (↓), so select (–) KORG Stan-
dard for this setting. If you have connected a damper pedal
with a positive (↑) polarity, select (+) for this setting. (↓ is open-
type, ↑ is closed-type.) If the polarity does not match, operating
the damper pedal will not produce the correct result. If no
damper pedal is connected, set this to (–) KORG Standard.
Foot Switch Polarity [(–)KORG Standard, (+)]
Sets this to match the polarity of the pedal switch connected
to the ASSIGNABLE SWITCH jack.
If a Korg PS-1 (sold separately) pedal switch is connected,
the pedal switch polarity will be (↓), so select (–) KORG
Standard for this setting. If you have connected a pedal
switch with a positive (↑) polarity, select (+) for this setting.
(↓ is open-type, ↑ is closed-type.) If the polarity does not
match, operating the pedal switch will not produce the cor-
rect result. If no pedal switch is connected, set this to
(–) KORG Standard.
3–1: User Scale
Here you can make settings for sixteen different User Octave
Scales and one User All Notes scale. The user scales you cre-
ate here can be selected from the following pages.
• Program P1: Edit-Basic, Program Basic page
• Combination P2: Edit-Trk Param, Other page
• Sequencer P2: Trk Param, Other T01–08, T09–16 page
• Song Play P1: Track, Status/Scale T01–08, T09–16 page
If you wish to keep an edited user scale after the power
is turned off, be sure to write (save) your settings.
Use the page menu command “Write Global Setting” or
press the SEQUENCER [REC/WRITE] key to access the
dialog box, and write the data.
3–1a: User Octave Scale
User Octave Scale [User Octave Scale 00...15]
Selects the User Octave Scale that you want to edit.
Tune [–99…+99]
Makes pitch settings for each note in the octave.
When you adjust the pitch of each note in the octave (C–B)
in one-cent steps, your settings will be applied to all octaves.
This adjustment is relative to equal temperament.
A setting of –99 lowers the pitch approximately a semitone
below normal pitch.
A setting of +99 raises the pitch approximately a semitone
above normal pitch.
The note can also be selected by holding down the
[ENTER] key and playing a note on the keyboard.
By executing the page menu command “Copy Scale,”
you can copy settings from a preset scale (other than
Stretch) or from another user scale.
Global P2: Controller
0–1
2–1a
Global P3: User Scale
3–1
3–1a
3–1b