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Sequencer
P0
P1 P2 P3 P4 P5 P6 P7 P8 P9
Reso (Realtime Quantize Resolution) [Hi, 3 … ]
This corrects the timing of data as it is recorded in realtime.
(It does not affect previously-recorded data.)
Hi (High Resolution): Timing will not be corrected. Data
will be recorded at the maximum resolution (/192).
3 – : Data will be corrected to the nearest interval of the
specified timing as it is recorded. For example if you select
3 , data will be corrected to the nearest 32nd note triplet
interval. If you select , data will be corrected to the nearest
quarter note interval.
Since all that musical data that is recorded will be corrected
to the specified timing resolution, coarse settings of this
parameter will cause continuous controllers such as pitch
bend to be recorded in “stairstep” fashion.
In such cases, use a setting of Hi to record, and then use
“Quantize” (5–1N) to correct only the desired type of data
(notes etc.). It is best to avoid recording at a stiff resolution
to begin with.
RPPR On/Off [Off, On]
This turns the RPPR (Realtime Pattern Play/Recording)
function on/off. RPPR lets you assign a pattern to each note
of the keyboard, so that the pattern will playback (or be
recorded) when you press the appropriate key.
On (checked): The RPPR function will be on. If a pattern
has been assigned to each key in the P6: Pattern/RPPR,
RPPR Setup page, pressing that key will perform the
assigned pattern (☞P6–3: RPPR Setup).
0–1(2)b: Selected Track Information
Displays information for the track (1–16) that is currently
being edited or selected by “Track Select.”
T (Track) (01...08 (09...16))
Indicates the track number and the program bank/number/
name specified for that track.
Ch (01...16)
Indicates the MIDI channel number specified for the track.
RPPR (NoAssign, C#2...C8)
This shows the key number(s) that will start the RPPR pat-
tern assigned to the track. (If there are numerous keys, not
all will be shown. To view all of the assignments, use the P6:
Pattern/RPPR, Pattern Edit page.)
0–1(2)c: Track Number, Category, Bank/Program,
PLAY/MUTE/REC, SOLO ON/OFF
Track Number (1...8 (9...16))
Indicates the track number.
Use the parameters located below “Track Number” to make
settings for that track number.
Category [00...15]
The program to be used by the track can be selected by cate-
gory. All programs are classified into one of sixteen catego-
ries. You can select the desired category, and then choose
programs from that category.
When you press the popup button, the Category/Track Pro-
gram Select menu will appear.(“Category/Program Select
menu” ☞Program P0: 0–1a)
Program Select (Bank/Program)
[INT-A...INT-F, G, g(1)...g(9), g(d), EXB-A...EXB-G]
Selects the program that will be used by the track.
The lower line displays part of the program name.
If “Program Select” is selected, you can use the BANK [INT-
A]–[EXB-G] keys and VALUE controller to make the setting.
If you press the popup button, the Bank/Track Program
Select menu will appear, allowing you to select a program.
(“Bank/Program Select menu” ☞Program P0: 0–1a)
If you select “Program Select,” the BANK key LED will
light to indicate the bank of the program selected for
the track.
Bank INT-F can be selected if the EXB-MOSS option is
installed. If this is installed, 128 special EXB-MOSS pro-
grams can be used.
The program you select here will be used when the song is
played or recorded from the beginning. If the program is
changed while recording, the program change will be
recorded as musical data, and the program will change dur-
ing playback. You can also change the program manually
during playback. However if musical data (program change
data) is already recorded, the program will change at that
point.
If the “Status” (2–1a/2a) is either INT or BTH, pro-
grams can be selected by receiving MIDI program
change messages. Also, when the song is changed or
when the song returns to the beginning, tracks whose
“Status” is EXT, EX2 or BTH will transmit the bank and
program numbers via MIDI. Tracks whose “Status” is
EX2 will show Bank as “–” and will transmit the bank
number that was selected in the “Bank Select” (2–1a/
2a) setting.
PLAY/MUTE/REC [PLAY, MUTE, REC]
Here you can mute each track, and select the recording
track(s) when performing multi-track recording. During
playback, or for single-track recording (normal recording), it
is possible only to select PLAY or MUTE for tracks (play-
back tracks) other than the recording track. For multi-track
recording, tracks can be set to PLAY, MUTE, or REC. The
setting will alternate each time you press the PLAY/MUTE/
REC button.
PLAY: The track will play.
MUTE: The track will be muted (silent).
REC: This will be displayed during single-track recording
(normal recording). It cannot be selected.
When you use multi-track recording (the Preferences page
“Multi REC” is on), select REC for the tracks that you wish
to record.
SOLO ON/OFF [SOLO ON, SOLO OFF]
This turns the Solo function on/off.
Only the track that is set to SOLO ON will sound. Other
tracks will be muted.
The setting will alternate on/off each time you press the
SOLO ON/OFF button.
If tracks whose “Status” (2–1a/2a) is BTH, EXT, or EX2
are muted by Mute or by the Solo function, note on/off
messages will not be transmitted on the MIDI channel
selected for those tracks.
With a setting of