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a: Envelope Select
When L/R Mix is selected for this parameter, the left and right
channels are linked to control the Limiter using the mixed signal.
If L Only (or R Only) is selected, the left and right channels are
linked, and the Limiter is controlled via only the left (or right)
channel.
With L/R individually, the left and right channels control the Lim-
iter individually.
b: Ratio, c: Threshold [dB], e: Gain Adjust [dB]
This parameter sets the signal compression “Ratio”. Compression
is applied only when the signal level exceeds the “Threshold”
value.
Adjust the output level using the “Gain Adjust” parameter, since
compression causes the entire level to be reduced.
d: Attack, d: Release
These parameters set the attack time and release time. A higher
attack time will cause the compression to be applied more slowly.
f: Side PEQ Insert, g: Side PEQ Cutoff [Hz], g: Q, g: Gain [dB]
These parameters are used to set the EQ applied to the trigger sig-
nal.
The Limiter determines whether the compression is applied or
not, based on the post-EQ trigger signal. Setting the equalizer
allows you to set the Limiter to respond to any frequency band.
f: Trigger Monitor
Setting this parameter On will cause the trigger signal to be out-
put, instead of the effect sound. Use this parameter to check the
trigger signal with EQ applied.
Usually, set this to Off.
004: Multiband Limiter
This effect applies the Limiter to the low range, mid range,
and high range of the input signal. You can control dynamics
for each range to adjust the sound pressure of the low range,
mid range, and high range in a different way from the EQ.
a
Envelope Select L/R Mix, L Only, R Only, L/R Individually
Selects from linking both channels, controlling only from left channel,
only from the right channel, or controlling each channel individually
☞
b
Ratio 1.0:1...50.0:1, Inf:1
Sets the signal compression ratio
☞
c
Threshold [dB] –40...0dB
Sets the level above which the compressor is applied
☞
d
Attack
Sets the attack time
1...100
☞
Release
Sets the release time
1...100
☞
e
Gain Adjust [dB]
Sets the output gain
–Inf, –38...+24dB
☞,
Src
Selects the modulation source for the output gain
Off...Tempo
Amt
Sets the modulation amount of the output gain
–63...+63
f
Side PEQ Insert
Toggles between on/off of the trigger signal’s EQ
Off, On
☞
Trigger Monitor Off, On
Switches between effect output monitor and trigger signal monitor
☞
g
Side PEQ Cutoff [Hz] 20...12.00kHz
Sets the EQ center frequency for the trigger signal
☞
Q
Sets the EQ bandwidth for the trigger signal
0.5...10.0
Gain [dB]
Sets the EQ gain for the trigger signal
–18.0...+18.0dB
h
Wet/Dry Dry, 1:99...99:1, Wet
Sets the balance between the effect and dry sounds
Src Off...Tempo
Selects the modulation source of the effect balance
Amt
Sets the modulation amount of the effect balance
–100...+100
Input Level
Output Level
Threshold
Ratio=1.0 : 1
Ratio=2.0 : 1
Ratio=4.0 : 1
Ration=Inf : 1
Louder
Louder
Time
Level
Threshold
Ratio=Inf : 1
Ratio=2.0 : 1
Ratio=4.0 : 1
Dry
Ratio=1.0 : 1
Limiter - Threshold / Ratio
a
Ratio 1.0:1...50.0:1, Inf:1
Sets the signal compression ratio
☞ Fx:003
b
Threshold [dB] –40...0dB
Sets the level above which the compressor is applied
☞ Fx:003
c
Attack
Sets the attack time
1...100
☞ Fx:003
d
Release
Sets the release time
1...100
☞ Fx:003
e
Low Offset [dB]
Gain of the low-range trigger signal
–40...0dB
☞
f
Mid Offset [dB]
Gain of the mid-range trigger signal
–40...0dB
☞
g
High Offset [dB]
Gain of the high-range trigger signal
–40...0dB
☞
h
Gain Adjust [dB] –Inf, –38...+24dB
Sets the output gain
☞ Fx:003,
Src
Selects the modulation source for the output gain
Off...Tempo
Amt
Sets the modulation amount of the output gain
–63...+63
Threshold
Ratio=Inf : 1
Attack=1
Release=1
Ratio=Inf : 1
Attack=100
Release=100
Dry
Wet
Wet
Release
Attack
Limiter - Attack / Release
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
Gain Adjust
Mid Offset
Low Offset
High Offset
Limiter
Envelope - Control
Envelope - Control
Envelope - Control
Limiter
Limiter
Low
Mid
High
Band-Pass Filters
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