Filter
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18
ters (3–4a) are in the “+” area, and darker when they are in
the “–” area.
With negative (–) settings, the sound will become darker
when the EG levels set by Filter 1 EG “Level” and “Time”
parameters (3–4a) are in the “+” area, and brighter when
they are in the “–” area.
Intensity to B [–99…+99]
Specifies the depth and direction of the effect that the time-
varying changes created by the filter 1 EG will have on the
filter 1B cutoff frequency (☞“Intensity to A”).
AMS (Filter EG AMS) [Off, (EXT)]
Selects the source that will control the depth and direction of
the effect that the time-varying changes produced by the fil-
ter 1 EG will have on the cutoff frequency of filters 1A and
1B (“AMS List” ☞p.242).
Int to A (AMS Int. to A) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1A. For details on how
this will apply (☞“Intensity to A”).
Int to B (AMS Int. to B) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(Filter EG AMS)” will have on filter 1B. For details on how
this will apply (☞“Intensity to A”).
The sum of the settings for “Velocity to A (B),” “Inten-
sity to A (B),” and “Int to A (B) (AMS Int. to A/B)” will
determine the depth and direction of the effect pro-
duced by the filter EG.
3–2c: Filter A/B Modulation
Filter A:
AMS1 (Filter A AMS1) [Off, (PEG, AEG, EXT)]
Selects the source that will control modulation of the filter
1A cutoff frequency (“AMS List” ☞p.242).
Intensity (A AMS1 Intensity) [–99…+99]
Specifies the depth and direction of the effect that “AMS1
(Filter A AMS1)” will have.
When “AMS1 (Filter A AMS1)” is JS X, a positive (+) value
for this parameter will cause the cutoff frequency to rise
when the joystick is moved toward the right, and fall when
the joystick is moved toward the left. With a negative (–)
value for this parameter, the opposite will occur.
This value is added to the setting of the Filter A “Frequency
(A Frequency)” (3–1b).
AMS2 (Filter A AMS2) [Off, (PEG, AEG, EXT)]
Intensity (A AMS2 Intensity) [–99…+99]
Selects “AMS2 (Filter A AMS2),” and specify the depth and
direction of the effect that the selected source will have
(☞“AMS1 (Filter A AMS1),” “Intensity (A AMS1 Inten-
sity)”).
Filter B:
This will be displayed when “Filter Type” (3–1a) is Low
Pass & High Pass.
Two alternate modulation sources can be used to modulate
the cutoff frequency of filter 1B (☞“Filter A”).
▼ 3–2: Page Menu Command
☞0–1A: Write Program, 1–1A: Copy Oscillator, 1–1B: Swap
Oscillator
3–3: Filter1 LFO Mod.
Here you can use the filter 1 LFO to apply cyclic modulation
to the cutoff frequency of filter 1 (for oscillator 1) to create
cyclical changes in tone.
3–3a: LFO 1
Intensity to A (LFO1 Int. to A) [–99…+99]
Specifies the depth and direction of the modulation that
OSC1 LFO1 (set by “OSC1 LFO1” 5–1) will have on the cut-
off frequency of filter 1A.
Negative (–) settings will invert the phase.
Intensity to B (LFO1 Int. to B) [–99…+99]
Specifies the depth and direction of the modulation that
OSC1 LFO1 will have on the cutoff frequency of filter 1B
(☞“Intensity to A (LFO1 Int. to A)”).
JS–Y Intensity to A (LFO1 JS–Y Int. to A) [–99...+99]
The joystick can be moved in the –Y direction (toward your-
self) to control OSC1 LFO1, modulating the cutoff frequency
of filter 1A.
This parameter specifies the depth and direction of control.
Higher settings of this parameter will cause OSC1 LFO1 to
have a greater effect on filter 1 when you move the joystick
in the –Y direction (toward yourself).
JS–Y Intensity to B (LFO1 JS–Y Int. to B) [–99...+99]
The joystick can be moved in the –Y direction (toward your-
self) to control OSC1 LFO1, modulating the cutoff frequency
of filter 1B.
This parameter specifies the depth and direction of control.
(☞”JS–Y Intensity to A (LFO1 JS–Y Int. to A)”)
AMS (LFO1 AMS) [Off, (PEG, FEG, AEG, KT, EXT)]
Selects a source that will control the depth and direction of
cutoff frequency change for both filters 1A and 1B (“AMS
List” ☞p.242).
Intensity to A (LFO1 AMS Int. to A) [–99…+99]
Specifies the depth and direction of the effect that “AMS
(LFO1 AMS)” will have on filter 1A.
For example if “AMS (LFO1 AMS)” is After Touch, higher
settings of this parameter will allow greater change to be
applied to OSC1 LFO1 when you apply pressure to the key-
board.
3–3
3–3a
3–3b
Change in cutoff
Low setting High setting