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5–1c: Frequency MIDI/Tempo Sync.
MIDI/Tempo Sync. [Off, On]
On (checked): The LFO frequency will synchronize to the
tempo (MIDI Clock). In this case, the values you specified
for “Frequency” (5–1a) and Frequency Modulation (5–1b) will
be ignored.
Base Note (Sync. Base Note)
[ , , , , , , , ]
Times (Sync. Times) [01...16]
When “MIDI/Tempo Sync.” is checked, these parameters
set a note length relative to “ (Tempo)” and the multiple
(“Times”) that will be applied to it. These parameters will
determine the frequency of the OSC1 LFO1. For example if
“Base Note (Sync. Base Note)” is (quarter note) and “Times
(Sync. Times)” is 04, the LFO will perform one cycle every
four beats.
Even if you change the “ (Tempo)” setting of the arpeggia-
tor or sequencer, the LFO will always perform one cycle
every four beats.
▼ 5–1: Page Menu Command
5–1A: Swap LFO 1&2
This command exchanges the settings of LFO1 and 2. If
LFO2 has been selected as Frequency Modulation “AMS1
(Freq. AMS1)”or “AMS2 (Freq. AMS2)” (5–1b) of LFO1, that
setting will be cancelled for LFO2 after the LFO1 and 2 set-
tings have been exchanged. If this is selected from the OSC1
LFO1 or OSC1 LFO2 page, the LFO1 and LFO2 of OSC1 will
be exchanged.
1 Select “Swap LFO 1&2” to access the dialog box.
2 Press the OK button to execute, or press the Cancel but-
ton to cancel without executing.
5–2: OSC1 LFO2
Here you can make settings for the OSC1 LFO2, which is the
second LFO that can be applied to oscillator 1. (☞“5–1:
OSC1 LFO1”) However in “Frequency Modulation” (5–1b),
the LFO cannot be selected as a modulation source in
“AMS1 (Freq. AMS1)”or “AMS2 (Freq. AMS2).”
5–3: OSC2 LFO1
This can be used when “Oscillator Mode” (1–1a) is set to
Double.
Here you can make settings for the OSC2 LFO1, which is the
first LFO that can be applied to oscillator 2 (☞“5–1: OSC1
LFO1”).
5–4: OSC2 LFO2
This can be used when “Oscillator Mode” (1–1a) is set to
Double.
Here you can make settings for the OSC2 LFO2, which is the
second LFO that can be applied to oscillator 2 (☞“5–1: OSC1
LFO1” and “5–2: OSC1 LFO2”).
Here you can make settings for the arpeggiator used by the
program.
You can make settings so that when you select a program,
these arpeggiator settings will automatically switch to the
arpeggiator settings that are memorized in the selected pro-
gram. (Global P0: 0–1c Auto Arpeggiator “Program”)
The arpeggiator can be switched on/off by the ARPEGGIA-
TOR [ON/OFF] key. When on, the key LED will light.
The settings of the ARPEGGIATOR [TEMPO] knob, [GATE]
knob, [VELOCITY] knob, and [ON/OFF] key can be saved
for each program.
These settings will be valid when “Auto Arpeggiator”
Program is checked.
You can control the arpeggiator from an external
sequencer, or record note data generated by the arpeg-
giator onto an external sequencer. (☞p.266)
“Pattern,” “Resolution,” “Octave,” “Sort,” “Latch,”
“Key Sync.,” “Keyboard,” and “ (Tempo)” can also be
set from the P0: Play, Arpeggio page.
7–1: Arpeg. Setup
7–1a: Arpeggiator Tempo
(Tempo)* [040...240, EXT]
Sets the tempo.
This can also be set by the [ARPEGGIATOR TEMPO] knob.
When “MIDI Clock” (Global P1: 1–1a) is set to either Exter-
nal MIDI or External mLAN, this parameter will indicate
EXT, and the arpeggiator will synchronize to the MIDI
Clock received from an external MIDI device.
0–1A
5–1A
Program P7: Edit–Arpeggiator
7–1
7–1a
7–1b