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Sequencer
P0
P1 P2 P3 P4 P5 P6 P7 P8 P9
7–5b: Scan Zone A/B
A:
Top Key [C–1...G9]
Bottom Key [C–1...G9]
Specify the range of notes (keys) that will trigger arpeggia-
tor A. “Top Key” is the upper limit, and “Bottom Key” is the
lower limit.
Top Velocity [001...127]
Bottom Velocity [001...127]
Specify the range of velocities that will trigger arpeggiator
A. “Top Velocity” is the upper limit, and “Bottom Velocity”
is the lower limit.
B:
Top Key [C–1...G9]
Bottom Key [C–1...G9]
Top Velocity [001...127]
Bottom Velocity [001...127]
Specify the range of notes (keys) and velocities that will trig-
ger arpeggiator B (☞A:).
The value of these parameters can also be input by
holding down the [ENTER] key and playing a note on
the keyboard.
Here you can make insert effect settings, and specify the bus
etc. for the program used by each track 1–16.
☞For details on insert effects, refer to p.178 “8. Effect
Guide.”
8–1: Routing 1–8 (Routing T01–08)
8–2: Routing 9–16 (Routing T09–16)
Specify the bus to which the program oscillator(s) of each
track 1–16 will be sent. You can also set the amount of signal
that will be sent to the master effects.
8–1a: Routing Map
This shows the status of the insert effects: the insert effect
routing, the names of the selected effects, the on/off status,
and chaining.
The effect type, on/off, and chain settings can be made in
the Insert FX page (8–2).
8–1(2)b: BUS Select (IFX/Indiv.Out BUS Select),
Send1 (MFX1), Send2 (MFX2)
BUS Select (IFX/Indiv.Out BUS Select)
[DKit, L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
These settings specify the bus to which the program oscilla-
tor(s) of each track 1–16 will be sent.
The status of the settings can also be viewed in the “Routing
Map” (☞Combination P8–1: Routing).
When 1/2 or 3/4 are selected, the program of the corre-
sponding track 1–16 will be output in stereo from
AUDIO OUTPUT (INDIVIDUAL) 1 and 2 or 3 and 4. If
you use CC#10 (pan) or AMS to control the panning of
the program oscillator, the new pan setting will be
applied at the next note-on. Unlike the case when you
select L/R to output the sound from (MAIN) L/MONO
and R, the pan of a sounding note cannot be varied in
realtime.
If you wish to vary the pan of a sounding note in real-
time, and output the result from AUDIO OUTPUT
(INDIVIDUAL) 1 and 2 or 3 and 4, set “BUS Select” to
IFX1 (or IFX2–IFX5), select 000: No Effect for “IFX1”
(or IFX2–IFX5) (8–3), and select either 1/2 or 3/4 for
“BUS Select” (8–3) after the signal passes through IFX.
Sequencer P8: Insert Effect
8–1
5–1b
0–1b
0–3a
8–1b
8–1a