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this time, the actual send levels use these Send 1 and 2 val-
ues multiplied by the Send1 and 2 settings for Program
oscillators 1 and 2.)
If drum Programs are selected for timbres in Combination
mode and for tracks in Sequencer mode and Song Play
mode, you can select “DKit” for “BUS Select.” If you select
“DKit,” the “BUS Select” (Global P5: 5–2b) settings for each
key become effective, and each drum instrument sound will
be routed to the corresponding buses. At this time, the
actual send levels use these Send 1 and 2 values, multiplied
by the Send1 and 2 settings for each DrumKit key. (Use the
“Send1” and “Send2” parameters for the post-IFX1–5 signal
to set the send levels for the DrumKit keys for which the
“BUS Select” parameters are set to IFX1–5.) If L/R or Off are
selected, this Send1 or 2 level will be multiplied by the send
levels specified in the Program P8: Routing page parameters
“OSC1 Send1 (to MFX1)” and “Send2 (to MFX2)” (Program
P8: 8–1d), in the same way as when “Oscillator Mode” is
Single or Double. If “BUS Select” is set to IFX1–5, use
“Send1” and “Send2” for the post-IFX signal. If “BUS Select”
is set to 1, 2, 3, 4, 1/2, or 3/4, the Send 1 and 2 settings will be
ignored.
2–3. Sampling Mode
You cannot use the Master Effects and Master EQ in Sam-
pling mode.
2–4. Audio Input
In Program, Combination, Sequencer, Song Play, and Disk
modes, the insert effects, master effects, and master EQ can
be applied to the external input sound from the AUDIO
INPUT 1, 2, S/P DIF IN, and mLAN jacks. The external
sound input from these jacks will be routed to the effects
according to the “Input (COMBI, PROG, SEQ, S.PLAY,
DISK)” (Global P0: 0–3a) settings.
In Disk mode, you can play back an audio CD if the CDRW-
1 option is installed. Settings for the sound input from the
CDRW-1 are made by “Input” Analog, in the same way as
for the external sound input from AUDIO 1 and 2.
If you want to play back an audio CD without applying
the TRITON STUDIO’s effects, set “Input” Analog set-
tings for Input1 to “Level” 127, “Pan” L000, “BUS
Select” L/R, “Send1, 2” 000, and set Input2 “Pan” to
R127 and the remaining parameters to the same set-
tings as for Input1.
Set the send level of the Input 1 and 2 signals routed to the
Master Effects, using “Send1 (to MFX1)” and “Send2 (to
MFX2) (Global P0: 0–3a). These settings become effective
only when “BUS Select” is set to L/R or Off. If IFX1–5 is
selected, use the “Send1” and “Send2” parameters (☞“3.
Mixer”). If 1, 2, 3, 4, 1/2, or 3/4 is selected, the Send 1 and
Send 2 settings are ignored.
These settings are ignored in Sampling mode.
Use P9: Master Effect in Program, Combination, Song, and
Song Play modes to set the Master Effects and Master EQ.
In Disk mode, the effects will be set as they were in the
previously-selected mode.
3. Mixer
The send levels will determine the levels at which the oscil-
lator (Program), timbre (Combination), track (Sequencer),
and audio input (set in the Program/Combination/
Sequencer P0: Sampling page or the Global P0: Input/Sam-
pling page) signals are input to the master effects. In the P9:
Master FX page of each mode, you can specify the output
level, chaining (series connection) between master effects,
and adjust the master EQ gain.
3–1. Return1, Return2
These parameters determine the level of signals output from
MFX1 and MFX2. A value on the left side of the “Wet/Dry”
parameter of a target effect for MFX 1 and 2 is used as the
output level (25% with the “Wet/Dry” parameter setting of
25:75, 100% with the Wet setting, and 0% with the Dry set-
ting). The signals with the “Return1” and “Return2” settings
are multiplied by these output levels, and sent to the L/R
bus, then mixed with the output signals for which “BUS
Select” is set to L/R or for which “BUS Select” of the “Insert
FX” page is set to L/R.
For example, with MFX1 “Wet/Dry” set to 50:50 (50%) and
“Return1” set to 64 (50%), the resultant effect level will be
25%. The effect level is maximum (100%) when “Wet/Dry” is
set to “Wet” and “Return1” is set to 127.
3–2. Chain check box
Press this box to chain MFX1 and MFX2 to each other.
The following figure indicates that the output from “MFX1:
016: Stereo Chorus” is added to “MFX2: 052: Reverb Hall”
input.