Filter
Top Products
65
Operation
Song,
Locate
MixerEffects
Session
Drums™
Recorder
CDDataDriveUSBMIDIUpgrading
the system
Recovery
CD
ClickPoint
calibration
With the PRE setting, the channel fader will send the input
signal to the master bus, setting the monitor level. With the
PST setting, the send level to the master bus will be the same
as the recording level.
You can also make this setting in the MIXER, SEND (EFF/
AUX/REC), “Rec Send” tab page.
(8) Move to the location where you want to start record-
ing. (→p.38)
(9) Put the D3200 in record-ready condition.
Press the REC key (REC and PLAY keys will blink).
(10)Start recording.
Press the PLAY key (REC and PLAY keys will light).
Perform the part to be recorded.
(11)Stop recording.
When you have finished performing, press the STOP
key (REC and PLAY keys will go dark). Return to the
location at which you started recording, set the REC/
PLAY key of the tracks you recorded to PLAY (key lit
green). Play back, and verify that your performance was
recorded correctly.
The ATT setting in the “EQ/ATT” (or “Ch View”) tab page
is common to recording and playback. If you have turned
down ATT substantially for recording, you may need to ad-
just it for playback.
1-2. Switching virtual tracks
Each song contains up to 32 tracks and one master track (ster-
eo).
In addition, each track has eight “virtual tracks,” labelled A–
H.
When you record or play back, you can specify which of
these virtual tracks A–H will be used.
This means that you can switch between virtual tracks to
record multiple “takes” of a performance, and then choose
the best take.
(1) Select the desired virtual track.
In the TRACK, “Vtrk1–32” tab page, click the
buttons to select the track that you want to record, and
then click the “V-Level” ←→ buttons (or the value dial
or +/– keys) to select the virtual track.
In the case of a 24-bit song, the “Vtrk1–32” tab page will be
named “Vtrk1–16.”
If a virtual track already contains recorded data, this is graph-
ically indicated by “ ” as shown in the illustration.
(2) Record.
For details, refer to “1-1. Basic recording,” steps (2)–(11).
1-3. Overdubbing (Recording addi-
tional tracks during playback)
Here’s how to record additional performances while you lis-
ten to the playback of previously-recorded tracks.
(1) Prepare for recording.
Refer to “1-1. Basic recording” (→p.64), steps (1)–(7).
(2) Select the tracks that you want to play back.
Press the REC/PLAY key, and then use the channel keys
to select Play mode (key lit green) for the tracks you
want to play back.
(3) Select the track(s) that you want to record.
Press the channel key of the tracks you want to record, to
set them to Recorded mode (key lit red).
(4) Mute the tracks that you will not be using.
Press the CH ON key.
Press the channel keys to turn off (key unlit) the tracks
that you are not playing or recording, so that these tracks
will be muted.
(5) Record.
Refer to “1-1. Basic recording” (→p.64), steps (8)–(11).
1-4. Trigger recording
Trigger recording is a function that automatically starts re-
cording when the input signal level exceeds a specified val-
ue.
Trigger/RecStart
Recording will start when the input signal level exceeds
the specified value.
You will not be able to execute recording if MIDI Sync is set
to MTC.
Trigger/Punch In
When the input level exceeds the specified threshold
value while the song is playing, the recorder will switch
from playback to recording.
(1) Prepare for recording.
Refer to “1-1. Basic recording” (→p.64), steps (1)–(5).
(2) Adjust the settings for trigger recording.
Access the REC/PLAY MODE, “RecMode” tab page,
and click either “Trigger/RecStart” or “Trigger/Punch
In” (the TRIGGER LED will light).
(3) Specify the input signal level (“Threshold”) at which
recording will begin.
(4) If you want recording to begin from a time slightly ear-
lier than the moment that the input signal exceeds the
“Threshold” (i.e., so that the attack is recorded), you
can set the “PreTriggerTime.”
Trigger recording will cause recording to start when the
threshold is exceeded, but the PreTriggerTime lets you
prevent the attack of the first note from being cut off.
Tr k32
Tr k1
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
Master Trk
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
Tr k2 Trk 3 Tr k 4 Tr k5
SONG
(1)
(1)
(2)
(3)
(4)
Recorder
Session
Drums™