Yamaha RS7000 Musical Instrument User Manual


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Appendix
6. Drum Voice List
RS7000 305
Note on/off type
Bank MSB 126 126 126 126
Bank LSB 0 0 0 0
Program 27 28 29 30
Kit Type Note on/off Note on/off Note on/off Note on/off
Note# Note
AnlgKt1N
Key
off
Alternate
assign
AnlgKt2N
Key
off
Alternate
assign
RhBoxKtN
Key
off
Alternate
assign
SynthKtN
Key
off
Alternate
assign
12 C -1 Reverse Side Stick Analog 90
⅙
Reverse Side Stick Analog 80
⅙
Reverse Side Stick Analog 70
⅙
Reverse Side Stick Electro
⅙
13 C# -1 Reverse Tom Analog Distortion
⅙
Reverse Tom Analog 80 H
⅙
Reverse Tom Analog 80 H
⅙
Reverse Tom Synth 1
⅙
14 D -1 Reverse Tom Analog 90
⅙
Reverse Tom Analog 80 L
⅙
Reverse Tom Analog 80 L
⅙
Reverse Tom Electro
⅙
15 D# -1 Reverse BD Analog Rubber 2
⅙
Reverse BD Analog 83
⅙
Reverse BD Analog 81
⅙
Reverse BD FX Gate
⅙
16 E -1 Reverse BD Analog 90
⅙
Reverse BD Analog 82
⅙
Reverse BD Analog 70
⅙
Reverse BD Electro
⅙
17 F -1 Reverse Crash Cymbal 90
⅙
Reverse Crash Analog 80
⅙
Reverse Cymbal Synth 1
⅙
Reverse Cymbal Synth 1
⅙
18 F# -1 Reverse Ride Cymbal 90
⅙
Reverse Ride Cymbal 90
⅙
Cymbal Synth 2
⅙
Reverse Ride Cymbal 90
⅙
19 G -1 Reverse Snare Analog Gate
⅙
Reverse Snare Analog 82
⅙
Reverse Snare FM
⅙
Reverse Snare Gate 1
⅙
20 G# -1 Reverse Snare Analog 90
⅙
Reverse Snare Analog 81
⅙
Reverse Snare Analog 70
⅙
Reverse Snare Synth 1
⅙
21 A -1 Reverse Hand Clap Analog 90
⅙
Reverse Hand Clap Analog 80
⅙
Reverse Snare Clap
⅙
Reverse Hand Clap Electro
⅙
22 A# -1 Reverse Hi-Hat Open 90
⅙
Reverse Hi-Hat Open Analog 81
⅙
Reverse Hi-Hat Open Analog 70
⅙
Reverse Hi-Hat Open Synth
⅙
23 B -1 BD Analog Tight
⅙
BD Analog 83
⅙
BD Analog 80
⅙
BD FX Gate
⅙
24 C 0 BD Analog Rubber 2
⅙
BD Analog 80 Long
⅙
BD Analog 80 Long
⅙
BD Analog Blip 1
⅙
25 C# 0 Finger Snap
⅙
Finger Snap
⅙
Finger Snap
⅙
Synth Click
⅙
26 D 0 Snare Analog 94
⅙
Snare Analog 83
⅙
Snare FM
⅙
Snare Electro
⅙
27 D# 0 Hand Clap Analog 80
⅙
Snare Clap
⅙
Hand Clap Analog 80
⅙
Hand Clap Electro
⅙
28 E 0 Snare Analog Gate
⅙
Snare Analog 82
⅙
Side Stick FM
⅙
Snare Gate 1
⅙
29 F 0 Tom Analog Distortion 1
⅙
Tom Analog 80 H1
⅙
Tom Analog 80 H1
⅙
Tom Synth 1 1
⅙
30 F# 0 Hi-Hat Closed 90 H
⅙
Hi-Hat Closed Analog 80 1
⅙
Hi-Hat Closed Analog DM
⅙
Hi-Hat Closed SE
⅙
31 G 0 Tom Analog Distortion 2
⅙
Tom Analog 80 H2
⅙
Tom Analog 80 H2
⅙
Tom Synth 1 2
⅙
32 G# 0 Hi-Hat Open 90 H1
⅙
Hi-Hat Open Analog 80 2
⅙
Hi-Hat Open Analog DM 1
⅙
Hi-Hat Open SE 1
⅙
33 A 0 Tom Analog Distortion 3
⅙
Tom Analog 80 H3
⅙
Tom Analog 80 H3
⅙
Tom Synth 1 3
⅙
34 A# 0 Hi-Hat Open 90 H2
⅙
Hi-Hat Open Analog 80
⅙
Hi-Hat Open Analog DM 2
⅙
Hi-Hat Open SE 1
⅙
35 B 0 BD Analog 91
⅙
BD Analog 82
⅙
BD Analog 70 L
⅙
BD Electro
⅙
36 C 1 BD Analog 90
⅙
BD Analog 80
⅙
BD Analog 70
⅙
BD Synth 1
⅙
37 C# 1 Side Stick Analog 90
⅙
Side Stick Analog 80
⅙
Side Stick Analog 70
⅙
Side Stick Electro
⅙
38 D 1 Snare Analog 90
⅙
Snare Analog 81
⅙
Snare Analog 70
⅙
Snare Synth 1
⅙
39 D# 1 Hand Clap Analog 90
⅙
Hand Clap Analog 80
⅙
Snare Clap
⅙
Hand Clap Synth
⅙
40 E 1 Snare Analog 91
⅙
Snare Analog 80
⅙
Snare Analog DM
⅙
Snare Synth 2
⅙
41 F 1 Tom Analog 90 1
⅙
Tom Analog 80 1
⅙
Tom Analog 80 1
⅙
Tom Electro 1 1
⅙
42 F# 1 Hi-Hat Closed 90
⅙
Hi-Hat Closed Analog 81 1
⅙
Hi-Hat Closed Analog 70
⅙
Hi-Hat Closed Synth
⅙
43 G 1 Tom Analog 90 2
⅙
Tom Analog 80 2
⅙
Tom Analog 80 2
⅙
Tom Electro 1 2
⅙
44 G# 1 Hi-Hat Open 90 1
⅙
Hi-Hat Open Analog 81 2
⅙
Hi-Hat Open Analog 70 1
⅙
Hi-Hat Open Synth 1
⅙
45 A 1 Tom Analog 90 3
⅙
Tom Analog 80 3
⅙
Tom Analog 80 3
⅙
Tom Electro 1 3
⅙
46 A# 1 Hi-Hat Open 90 2
⅙
Hi-Hat Open Analog 81
⅙
Hi-Hat Open Analog 70 2
⅙
Hi-Hat Open Synth 1
⅙
47 B 1 Tom Analog 90 4
⅙
Tom Analog 80 4
⅙
Tom Analog 80 4
⅙
Tom Electro 1 4
⅙
48 C 2 Tom Analog 90 5
⅙
Tom Analog 80 5
⅙
Tom Analog 80 5
⅙
Tom Electro 1 5
⅙
49 C# 2 Crash Cymbal 90
⅙
Crash Analog 80
⅙
Cymbal Synth 1
⅙
Cymbal Synth 1
⅙
50 D 2 Tom Analog 90 6
⅙
Tom Analog 80 6
⅙
Tom Analog 80 6
⅙
Tom Electro 1 6
⅙
51 D# 2 Ride Cymbal 90
⅙
Ride Cymbal 90
⅙
Ride Cymbal 90
⅙
Ride Cymbal 90
⅙
52 E 2 Crash Cymbal Slow Attack
⅙
Crash Cymbal Slow Attack
⅙
Cymbal Synth 2
⅙
Cymbal Synth 3
⅙
53 F 2 Ride Cymbal Cup
⅙
Ride Cymbal Cup
⅙
Ride Cymbal Cup
⅙
Ride Cymbal Cup
⅙
54 F# 2 Tambourine RX5
⅙
Tambourine Analog
⅙
Tambourine Analog
⅙
Tambourine Analog
⅙
55 G 2 Splash Cymbal
⅙
Splash Cymbal
⅙
Splash Cymbal
⅙
Splash Cymbal
⅙
56 G# 2 Cowbell
⅙
Cowbell Analog 80
⅙
Cowbell Analog 70
⅙
Cowbell Analog 70
⅙
57 A 2 Crash Cymbal Heavy
⅙
Crash Cymbal Heavy
⅙
Crash Cymbal Heavy
⅙
Crash Cymbal Heavy
⅙
58 A# 2 Cowbell Analog 80
⅙
Vibraslap Synth
⅙
Vibraslap Analog
⅙
Vibraslap Synth
⅙
59 B 2 Ride Cymbal Heavy
⅙
Ride Cymbal Heavy
⅙
Ride Cymbal Heavy
⅙
Ride Cymbal Heavy
⅙
60 C 3 Bongo RX5 H
⅙
Bongo Analog H
⅙
Bongo Analog H
⅙
Bongo Analog H
⅙
61 C# 3 Bongo RX5 L
⅙
Bongo Analog L
⅙
Bongo Analog L
⅙
Bongo Analog L
⅙
62 D 3 Conga H Mute
⅙
Conga Analog H
⅙
Conga Analog H
⅙
Conga Analog H
⅙
63 D# 3 Conga H Open
⅙
Conga Analog M
⅙
Conga Analog M
⅙
Conga Analog M
⅙
64 E 3 Conga L
⅙
Conga Analog L
⅙
Conga Analog L
⅙
Conga Analog L
⅙
65 F 3 Timbale H
⅙
Metal Analog H
⅙
Metal Analog H
⅙
Metal Analog H
⅙
66 F# 3 Timbale L
⅙
Metal Analog L
⅙
Metal Analog L
⅙
Metal Analog L
⅙
67 G 3 Agogo RX5 H
⅙
Glass Noise H
⅙
Glass Noise H
⅙
Glass Noise H
⅙
68 G# 3 Agogo RX5 L
⅙
Glass Noise L
⅙
Glass Noise L
⅙
Glass Noise L
⅙
69 A 3 Cabasa
⅙
Cabasa
⅙
Cabasa
⅙
Cabasa
⅙
70 A# 3 Maracas
⅙
Maracas Analog 80
⅙
Maracas Analog 70
⅙
Maracas Analog 80
⅙
71 B 3 SFX Gun 2
⅙
SFX Gun 2
⅙
SFX Gun 2
⅙
SFX Gun 2
⅙
72 C 4 SFX Gun 1
⅙
SFX Gun 1
⅙
SFX Gun 1
⅙
SFX Gun 1
⅙
73 C# 4 Scratch 2
⅙
Guiro Analog DM H
⅙
Guiro Analog 70
⅙
Guiro Analog DM H
⅙
74 D 4 Scratch Stop 1
⅙
Guiro Analog DM L
⅙
Guiro Analog DM
⅙
Guiro Analog DM L
⅙
75 D# 4 Hi Q 1 H
⅙
Claves Analog
⅙
Claves Analog
⅙
Hi Q 1 H
⅙
76 E 4 Hi Q 1 L
⅙
Hi Q 1
⅙
Hi Q 1
⅙
Hi Q 1 L
⅙
77 F 4 Hi Q 2
⅙
Hi Q 2
⅙
Hi Q 2
⅙
Hi Q 2
⅙
78 F# 4 Scratch 1 H
⅙
Scratch 1
⅙
Scratch 1 H
⅙
Scratch 1 H
⅙
79 G 4 Scratch 1 L
⅙
Scratch 1
⅙
Scratch 1 L
⅙
Scratch 1 L
⅙
80 G# 4 Triangle Mute
⅙
Triangle Mute
⅙
Triangle Mute
⅙
Triangle Mute
⅙
81 A 4 Triangle Open
⅙
Triangle Open
⅙
Triangle Open
⅙
Triangle Open
⅙
82 A# 4 Shaker Analog
⅙
Shaker Analog
⅙
Shaker Analog
⅙
Shaker Analog
⅙
83 B 4 Jingle Bell
⅙
Jingle Bell
⅙
Jingle Bell
⅙
Jingle Bell
⅙
84 C 5 Bell Tree
⅙
Bell Tree
⅙
Bell Tree
⅙
Bell Tree
⅙
Some Voice Edit parameters will have no effect on the sound.
All instruments are compatible with Key Off messages.
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