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5. Add Samples
44 RS7000
Basic Sampling Procedure
1 Select a Track for the Sample
In the PATTERN mode use [KNOB 2] to select section-A, and select the track to be used for sampling by pressing a white/gray key on
the keyboard while holding the [TRACK SELECT] button. For our example select track 6.
2 Select a Sample Voice Number
Press [MIXER] to go to the MIXER page and select the sample voice number to which you want to record the new sample: use [Knob
1] to select either the SmpLocal (Local Sample Voice) or SmpCmn (Common Sample Voice) bank, and [Knob 3] to select a voice num-
ber to which your sample will be recorded from 001 through 128. When done press [EXIT] to go back to the PATTERN display.
For more information on Local Sample Voices and Common Sample Voices refer to page 61.
3
Set the INPUT GAIN
If you haven’t already done so, press the [SETUP] button twice from the PATTERN mode to go to the A/D Setup page, and use [Knob
1] to set the INPUT GAIN as required. When done press [EXIT] twice to go back to the PATTERN display.
Refer to “The Source” (Page 43) for appropriate settings for various source types.
4
Go to the Sampling Setup Page
From the PATTERN mode press the [STANDBY/START/STOP] button to go to the Sampling Setup page45.
5 Set the Sampling Setup Parameters
Use [Knob 1] ~ [Knob 4] to set the sampling TYPE, FREQUENCY, SOURCE, and MONO/STEREO, as follows:
TYPE Select “KIT+NOTE”, since we want to record a simple, one-shot sample synchronized with
sequencer playback.
FREQUENCY You can choose any sampling frequency you like, but if you don’t have any immediate preference
the “44.1 K” setting will give you the best sound quality.
SOURCE Select “A/D INPUT” if you’re recording via the RS7000’s built-in analog inputs.
If you have the AIEB2 I/O Expansion Board installed then you might want to select “DIGITAL” or
“OPTICAL”, as required.
MONO/STEREO This will depend on the source you are recording. If you have a mono microphone plugged into the
INPUT L jack, select “MONO L”. If your microphone is plugged into the INPUT R jack select “MONO
R”. Select “STEREO” if you want to create a stereo sample from a stereo source connected to the L
and R inputs, or “MONO L+R” to create a mono sample from a stereo source connected to the L
and R inputs.
789+/-
4560
1 2 3 ENTER
SUB MODE
GROOVE PLAY FX MIDI DELAY MIXER
VOICE EDIT EFFECT SETUP MASTER
SAVE LOAD JOB EDIT
-
+
MASTER VOLUME
SAMPLINGMASTER EFFECT
REAL TIME
REC VOLUME
STANDBY
START/STOP
MULTI COMPRING MOD
V-DIST
LO-FI
SLICE
CTRL DELAY
D-FILTER
ISOLATION
BEAT STRETCH
GATE TIME
CLOCK SHIFT
MIDI DELAY
SWING
VELOCITY
SPEED
WAVE
F1 F2 F3
NUM
F4
PITCH BENDPORTAMENTO TIME
PORTAMENTO
TYPE
DEPTH
SELECT
EFFECT
ON/OFF
LOOP
REMIX
SAMPLE
EDIT
IN
OUT A
OUT B
DRY VARIDELAY/CHO REVERBTRACK VOLUME
ATTACK DECAY SUSTAIN
CUTOFF RESONANCEENV.DEPTH
TYPE
LPF24
LPF18
LPF12
HPF
BPF
BEF
RELEASE
S&H
PGM
USER
AMP
FILTER
PITCH
FINGERED
FULL TIME
OFF
TRACK
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
SYSTEM
MIDI SETUP
MIDI FILTER
SAVE
EXPORT
RENAME
DELETE
FORMAT
GRID GROOVE
LFO
PORTAMENTO
PITCH
EG
FILTER
ARPEGGIO
A/D SETUP
KNOB ASSIGN
MIDI OUT CH
LOAD
IMPORT
SCSI SETUP
SCSI COMM
HARMONIZE
NOTE
EFFECT TYPE
VARIATION
DELAY
REVERB
VOICE SELECT
VOL/PAN/OUT
EQ
EFFECT SEND
LEVEL
JOB LIST
MIDI DELAY
FEEDBACK
MASTER EQ
MASTER
EFFECT
EDIT CHANGE
VIEW FILTER
TIME
SHIFT
CAPS
SOLO
K ! L # M $ N % O & P ' Q ( R ) S - T @ U ^ V _ W { X } Y ~ Z
MUTE
REC
KEY-
BOARD
TRACK
SELECT
ARPEGGIO
ON
PLAY
TRANSPOSE
ALL TR- TR+
789+/-
4560
1 2 3 ENTER
PAD ASSIGN
PAD 1 PAD 2
SPACE DEL
1~8 9~16
TRANSPOSE(-) TRANSPOSE(+)
STORE
MUTE
SCENE
12345
BPM
MODE
SUB MODE
STOP
SECTION
ABC DE FGH IJ
SEQUENCE PLAY FX
LFO
PITCH
EFFECT SEND / VOLUME
EG
FILTER
OCT
DOWN
OCT
UP
TAP
GROOVEPLAY FXMIDI DELAYMIXER
VOICE EDITEFFECTSETUPMASTER
SAVE LOAD JOB EDIT
GROOVEPLAY FXMIDI DELAYMIXER
VOICE EDITEFFECT SETUP MASTER
SAVE LOAD JOB EDIT
PATTERN
SONG UTILITYUTILITY
PATT
CHAIN
MEMORY
EXIT
3.3V
CARD
MIDI
Integrated Sampling Sequencer
MUSIC PRODUCTION STUDIO
STANDBY
START/STOP
-
+
MASTER VOLUME
SAMPLINGMASTER EFFECT
REAL TIME
REC VOLUME
STANDBY
START/STOP
MULTI COMP RING MOD
V-DIST
LO-FI
SLICE
CTRL DELAY
D-FILTER
ISOLATION
BEAT STRETCH
GATE TIME
CLOCK SHIFT
MIDI DELAY
SWING
VELOCITY
SPEED
WAVE
F1 F2 F3
NUM
F4
PITCH BENDPORTAMENTO TIME
PORTAMENTO
TYPE
DEPTH
SELECT
EFFECT
ON/OFF
LOOP
REMIX
SAMPLE
EDIT
IN
OUT A
OUT B
DRY VARIDELAY/CHO REVERBTRACK VOLUME
ATTACK DECAY SUSTAIN
CUTOFF RESONANCE ENV.DEPTH
TYPE
LPF24
LPF18
LPF12
HPF
BPF
BEF
RELEASE
S&H
PGM
USER
AMP
FILTER
PITCH
FINGERED
FULL TIME
OFF
TRACK
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
SYSTEM
MIDI SETUP
MIDI FILTER
SAVE
EXPORT
RENAME
DELETE
FORMAT
GRID GROOVE
LFO
PORTAMENTO
PITCH
EG
FILTER
ARPEGGIO
A/D SETUP
KNOB ASSIGN
MIDI OUT CH
LOAD
IMPORT
SCSI SETUP
SCSI COMM
HARMONIZE
NOTE
EFFECT TYPE
VARIATION
DELAY
REVERB
VOICE SELECT
VOL/PAN/OUT
EQ
EFFECT SEND
LEVEL
JOB LIST
MIDI DELAY
FEEDBACK
MASTER EQ
MASTER
EFFECT
EDIT CHANGE
VIEW FILTER
TIME
SHIFT
CAPS
SOLO
K ! L # M $ N % O & P ' Q ( R ) S - T @ U ^ V _ W { X } Y ~ Z
MUTE
REC
KEY-
BOARD
TRACK
SELECT
ARPEGGIO
ON
PLAY
TRANSPOSE
ALL TR- TR+
789+/-
4560
1 2 3 ENTER
PAD ASSIGN
PAD 1 PAD 2
SPACE DEL
1~8 9~16
TRANSPOSE(-) TRANSPOSE(+)
STORE
MUTE
SCENE
12345
BPM
MODE
SUB MODE
STOP
SECTION
ABC DE FGH IJ
SEQUENCE PLAY FX
LFO
PITCH
EFFECT SEND / VOLUME
EG
FILTER
OCT
DOWN
OCT
UP
TAP
GROOVEPLAY FXMIDI DELAYMIXER
VOICE EDITEFFECT SETUPMASTER
SAVE LOAD JOB EDIT
GROOVE PLAY FXMIDI DELAYMIXER
VOICE EDITEFFECT SETUP MASTER
SAVE LOAD JOB EDIT
PATTERN
SONG UTILITY UTILITY
PATT
CHAIN
MEMORY
EXIT
3.3V
CARD
MIDI
Integrated Sampling Sequencer
MUSIC PRODUCTION STUDIO