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EXi: STR-1 Plucked String
256
4-7e: AMS
AMS 1 [List of AMS Sources]
This selects the first modulation source for controlling
the String’s pitch. For a list of AMS sources, see “AMS
(Alternate Modulation Source) List” on page 967.
Intensity [+/-48.00 semitones]
This controls the depth and direction of the AMS 1
pitch modulation, in semitones.
Intensity Mod AMS [List of AMS Sources]
You can modulate AMS 1’s Intensity from another
AMS source. This selects that source.
Intensity [+/-48.00 semitones]
This controls the depth and direction of the Intensity
Mod AMS, in semitones. The result is summed with
the main AMS 1 Intensity to produce the final pitch
modulation amount.
AMS 2 [List of AMS Sources]
This selects a second modulation source for controlling
the String’s pitch. For a list of AMS sources, see “AMS
(Alternate Modulation Source) List” on page 967.
Intensity [+/-48.00 semitones]
This controls the depth and direction of the AMS 2
pitch modulation, in semitones.
Intensity Mod AMS [List of AMS Sources]
You can modulate AMS 2’s Intensity from another
AMS source. This selects that source.
Intensity [+/-48.00 semitones]
This controls the depth and direction of the Intensity
Mod AMS, in semitones. The result is summed with
the main AMS 2 Intensity to produce the final pitch
modulation amount.
▼ 4–7: Page Menu Commands
The number before each command shows its ENTER +
number-key shortcut. For more information on these
shortcuts, see “ENTER + 0-9: shortcuts for menu
commands” on page 138.
• 0: Write Program. For more information, see “Write
Program” on page 138.
• 1: Exclusive Solo. For more information, see
“Exclusive Solo” on page 138.
4-8: Pickups and Feedback
4-8a: Pickup 1
Position [0…100.0]
This adjusts the location of the pickup along the string.
You can modulate this via AMS, to create effects
similar to chorusing. Unlike the Excitation Position,
you can modulate the Pickup Position while the note
is sounding. Typically, values between 8.0 and 25.0 will
work well.¯
The effect of the Pickup Position is similar to that of
the Excitation Position. The comb filtering produced
by the excitation and the two pickups is cumulative,
and can produce complex patterns of peaks and
valleys in the frequency response.
4–8c
4–8b
4–8a
4–8PMC