Filter
Top Products
Program mode: HD-1
28
Value [Depends on parameter]
This shows the current value of the parameter. The
range of values will vary depending on the parameter
assigned to the control.
Switches 1–16
Tone Adjust switches act a little differently than knobs
and sliders.
When a switch is assigned to a Relative parameter, or
an Absolute parameter with more than two states:
Switch On = On Value (see below)
Switch Off = the Program’s stored value
When a switch is assigned to a two-state Absolute
parameter, such as Hold, the switch status directly
reflects the parameter value:
Switch On = On
Switch Off = Off
Assign [List of Tone Adjust assignments]
This lets you assign a Tone Adjust parameter to the
switch. For a full list of the available choices, please see
“Common Tone Adjust Parameters” and “HD-1 Tone
Adjust Parameters,” below.
On Value [Depends on parameter]
The parameter is set to this value when the switch is
On.
When the switch is assigned to a two-state Absolute
parameter, such as Hold, this will always be the same
as the Switch Status (see below).
Switch Status [Off, On]
This simply shows whether the switch is On or Off.
The status is also shown by the LEDs in the physical
buttons.
Sliders 1–8 and Master Slider
These work identically to Knobs 1–8, as described
above.
Common Tone Adjust Parameters
These parameters affect both Oscillators 1 and 2.
Unless otherwise noted, all of the Common Tone
Adjust parameters are Relative.
Off. This means that the Tone Adjust control has no
effect.
Filter Cutoff. (–99…+99, CC#74)
This scales the cutoff frequency of all of the filters at
once. For instance, in the HD-1, it affects both Filters A
and B.
Filter Resonance. (–99…+99, CC#71)
This scales the resonance of all of the filters at once. For
instance, in the HD-1, it affects both Filters A and B.
Filter EG Intensity. (–99…+99, CC#79)
This scales the effect of the Filter EG on the cutoff
frequency. It affects all of the filters at once; for
instance, in the HD-1, it affects both Filters A and B.
–99 means no modulation. +99 means maximum
modulation in the same direction, positive or negative,
as the original Program. For instance, if the original
Program’s EG Intensity was set to –25, then setting the
Tone Adjust to +99 moves the EG Intensity to –99.
Amp Velocity Intensity. (–99…+99)
This scales the effect of velocity on the Amp level.
–99 removes the velocity modulation entirely. +99
means maximum modulation in the same direction,
positive or negative, as the original Program.
Filter/Amp EG Attack Time.
(–99…+99, CC#73)
This scales the attack times of the Filter and Amp EGs,
along with other related parameters.
When the value is +1 or more, this also affects the Amp
EG’s Start and Attack Levels, Start Level AMS, and
Attack Time AMS, as described below:
Between values of +1 and +25, the Start Level, Start
Level AMS, and Attack Time AMS will change from
their programmed values to 0. Over the same range,
the Attack Level will change from its programmed
value to 99.
Filter/Amp EG Decay Time.
(–99…+99, CC#75)
This scales the decay and slope times of the Filter and
Amp EGs. It interacts with CC# 75.
Filter/Amp EG Sustain Level.
(–99…+99, CC#70)
This scales the sustain levels of the Filter and Amp
EGs.
Filter/Amp EG Release Time.
(–99…+99, CC#72)
This scales the release times of the Filter and Amp EGs.
Filter EG Attack Time. (–99…+99)
This scales the attack times of the Filter EGs.
Filter EG Decay Time. (–99…+99)
This scales the decay and slope times of the Filter EGs.
Filter EG Sustain Level. (–99…+99)
This scales the sustain levels of the Filter EGs.
Filter EG Release Time. (–99…+99)
This scales the release times of the Filter EGs.
Amp EG Attack Time. (–99…+99)
This scales the attack times of the Amp EGs.
Amp EG Decay Time. (–99…+99)
This scales the decay and slope times of the Amp EGs.
Amp EG Sustain Level. (–99…+99)
This scales the sustain levels of the Amp EGs.
Amp EG Release Time. (–99…+99)
This scales the release times of the Amp EGs.
Pitch EG Attack Time. (–99…+99)
This scales the attack times of the Pitch EG (or EGs, in
the case of some EXi instruments).
Pitch EG Decay Time. (–99…+99)
This scales the decay and slope times of the Pitch EG
(or EGs, in the case of some EXi instruments).
Pitch EG Sustain Level. (–99…+99)
This scales the sustain levels of the Pitch EG (or EGs, in
the case of some EXi instruments).
Note: this does not
apply to the HD-1.