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Sequencer P3: MIDI Filter/Zones 3–5: Keyboard Zones
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• 4: Copy From Song. For more information, see
“Copy From Song” on page 524.
• 5: Load Template Song. For more information, see
“Load Template Song” on page 524.
• 6: Save Template Song. For more information, see
“Save Template Song” on page 525.
• 7: FF/REW Speed. For more information, see
“FF/REW Speed” on page 525
• 8: Set Location (for Locate Key.) For more
information, see “Set Location (for Locate Key)” on
page 525.
• 9: GM Initialize. For more information, see “GM
Initialize” on page 526.
• 10: Copy From Combination. For more
information, see “Copy from Combination” on
page 526.
• 11: Copy From Program. For more information, see
“Copy From Program” on page 526.
3–5: Keyboard Zones
Here you can specify the key zones in which MIDI
tracks 1–16 will sound.
The top/bottom key settings specify the zone in which
MIDI tracks 1–16 will sound, and the top/bottom slope
settings specify the key range over which the volume
will change starting from the top/bottom key.
These settings do not affect MIDI
transmission/reception. All note data that is
received will be recorded into the internal
sequencer, and all note data from the internal
sequencer or from the keyboard will be transmitted.
3–5a: Zone Map
This area indicates the note and velocity ranges in
which each MIDI tracks 1–16 will sound.
The LCD screen will display a line to indicate the range
of notes and velocities that will sound, and will show
the slope portion in different color.
3–5b: Keyboard Zones
Track 01 (Track Number)
Top Key [C–1…G9]
Specifies the top key (upper limit) of the notes that will
sound each MIDI track.
Top Slope [00, 01, 02, 03, 04, 06, 08, 10,
12, 18, 24, 30, 36, 48, 60, 72]
Specifies the range of keys (12 is one octave) over
which the volume will be reached starting from the top
key.
0: The volume will be at the original level from the top
key.
12: The volume will increase gradually as you play
downward, and will reach the original volume one
octave below the top key.
72: The volume will increase gradually as you play
downward, and will reach the original volume six
octaves below the top key.
1–1b
1–1a
3–5a
3–5b
3–5PMC