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Effect Guide
828
Stop Deceleration [0…100]
This sets how long it takes the horn to come to rest
after the Mode Switch has changed from Rotate to
Stop.
ROTOR
The rotor carries the low frequencies of the Rotary
Speaker. Its parameters are identical to those of the
Horn, above.
Fast Speed [0…100]
Slow Speed [0…100]
Acceleration [0…100]
Deceleration [0…100]
Start Acceleration [0…100]
Stop Deceleration [0…100]
Balance and Tone
Horn/Rotor Balance [Rotor, 1…99, Horn]
Sets the volume balance between the high-frequency
horn and low-frequency rotor.
Speaker Simulator [Check-box]
Switches speaker simulation on/off.
Match CX-3 Tone [Off, Amp 1, Amp 2]
When using this effect on a CX-3 Program, this setting
will adjust the tone appropriately for the CX-3’s Amp
Type. If AmpType = Type1 or 2, use the corresponding
Amp1 or 2 setting. If Amp Type = Pre Amp, turn this
parameter Off.
If you’re layering two CX-3s together, you may wish to
use 133: Rotary Speaker as an IFX (insert effect) for
both Programs together, instead of using the Rotary
Speakers within the individual Programs. Use this
parameter to adjust the tone in such cases.
MIC
These settings model two pairs of stereo microphones
recording the rotary speaker–one pair each for the horn
and rotor. In the real world, this would require an
elaborate setup, or even splitting the rotary speaker
into two–but it’s relatively easy in the software world
of the OASYS, and it gives you separate control over
the tone and stereo spread of the high and low
frequencies.
The other rotary speaker effects have only one pair of
mics, but are otherwise similar; for more information,
see “MIC” on page 826.
Horn Distance [0…100]
Horn Spread [0…100]
Rotor Distance [0…100]
Rotor Spread [0…100]
OUTPUT
This is the standard effects output section, with
modulatable control over wet/dry balance. For more
information, see “OUTPUT” on page 764.