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Program mode: HD-1
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The list of Multisamples, Wave Sequences, or Drum
Kits can be quite long. The sliders or knobs will let you
sweep through the entire range, but it may not be
possible to select all of the intermediate values. You
can always select any individual item by using select
the on-screen parameter and use the standard data
entry controls, such as the INC and DEC buttons.
You can also limit the range of the control by using the
Min # and Max # parameters, described below.
PROG restores the Program’s original Multisamples
and Wave Sequences (or the Drum Kit, for a Drum
Program), including all velocity ranges and Reverse
and Start Offset settings.
For Single and Double Programs:
• MS/WS/DKit Select overrides all of the
Multisample Velocity zones, so that the newly
selected Multisample or Wave Sequence plays over
the entire velocity range.
• By default, you can select from the same Bank as
the original Program’s MS1.
• Also by default, if the original Program’s MS1 is a
Multisample, you can select Multisamples; if MS1 is
a Wave Sequence, you can select Wave Sequences.
• You can use the MS/WS Type and MS/WS/DKit
Bank parameters, described below, to change these
defaults as desired.
For Multisamples only:
• You can use the Tone Adjust Reverse and Start
Offset parameters to modify the newly selected
Multisample. By default, the Reverse is set to Off,
and its Start Offset is set to 0.
For Drum Programs:
• By default, you can select from the same Bank as
the original Program’s DrumKit. You can use the
MS Bank parameter, described below, to select a
different Bank.
MS/WS Type. (Off/MS/WavSeq, Meta)
This Meta-parameter modifies the MS/WS Select
parameter, so that you can specifically choose to select
either Multisamples or Wave Sequences.
It applies only to Single and Double Programs, and has
no effect with Drum Kits.
MS Bank. (ROM Mono…, Meta)
This Meta-parameter modifies the MS/WS/Dkit Select
parameter, so that you can select Multisamples from
any Bank you like.
MS/WS/DKit Min #. (0…16383, Meta)
This Meta-parameter sets a minimum value for the
MS/WS/Dkit Select parameter. You can use this in
conjunction with the MS/WS/DKit Max # parameter,
below, so that a knob or slider selects only from a small
set of choices. This is particularly convenient with the
internal ROM, in which similar Multisamples are
grouped together. For instance, this makes it easy to
select between a group of bells, or a set of electric
basses.
MS/WS/DKit Max #. (0…16383, Meta)
This Meta-parameter sets a maximum value for the
MS/WS/Dkit Select parameter. Please see
MS/WS/DKit Min #, above, for more information.
Start Offset. (0…8, Absolute)
This allows you to change the Start Offset of the
Multisample specified by the MS/WS Select
parameter. It applies only when:
• The Program is a Single or Double (not a Drum Kit)
• The MS/WS Select parameter is used to select a
Multisample (not a Wave Sequence)
For more information on Start Offsets, see “Start
Offset” on page 51.
Drive. (0…99, Absolute)
This controls the Oscillator’s Drive parameter, as
described under “Drive” on page 73.
Low Boost. (0…99, Absolute)
This controls the Oscillator’s Low Boost parameter, as
described under “Low Boost” on page 74.
Pitch Slope. (–1.0…2.0, Absolute)
This controls the Oscillator’s Pitch Slope parameter, as
described under “Pitch Slope” on page 53.
LFO 1 Waveform. (Triangle…Rad6, Absolute)
This selects the waveform for the Oscillator’s LFO 1, as
described under “Waveform” on page 83.
LFO 2 Waveform. (Triangle…Rad6, Absolute)
This selects the waveform for the Oscillator’s LFO 2, as
described under “Waveform” on page 83.
Amp LFO 1 Intensity. (–99…+99, Absolute)
This controls the depth and direction of Amp
modulation from LFO1, as described under “4–2c: LFO
1/2” on page 77.
Amp LFO 2 Intensity. (–99…+99, Absolute)
This controls the depth and direction of Amp
modulation from LFO2, as described under “4–2c: LFO
1/2” on page 77.
Filter LFO 1 Intensity to A. (–99…+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO1, as described under “3–3a: LFO
1/2” on page 67.
Filter LFO 1 Intensity to B. (–99…+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO1, as described under “3–3a: LFO
1/2” on page 67.
Filter LFO 2 Intensity to A. (–99…+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO2, as described under “3–3a: LFO
1/2” on page 67.
Filter LFO 2 Intensity to B. (–99…+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO2, as described under “3–3a: LFO
1/2” on page 67.
Pitch LFO 1 AMS Intensity.
(–12.00…+12.00,
Absolute)
You can use an AMS source, such as aftertouch, to
modulate the depth of pitch modulation (vibrato) from
LFO1. This controls the intensity of that AMS
modulation. For more information, see “4–2c: LFO
1/2” on page 77.
Pitch LFO 2 AMS Intensity.
(–12.00…+12.00,
Absolute)
This is similar to Pitch LFO 1 AMS Intensity, above.
For more information, see “4–2c: LFO 1/2” on page 77.