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Sequencer mode
468
2–2: OSC
These parameters specify how each MIDI track will be
sounded.
2–2a: OSC
Track 01 (Track Number)
Force OSC Mode [PRG, Poly, MN, LGT]
Selects the Voice Assign Mode (Program 1–1c) of the
program selected for each MIDI track.
For more information, please see Combination mode
“Force OSC Mode” on page 361.
OSC Select [BTH, OS1, OS2]
Specifies whether the MIDI track’s program will play
OSC1/EXi1, OSC2/EXi2, or both.
For HD-1 programs whose Oscillator Mode (Program
1–1b) is Double, this setting lets you specify that only
OSC1 or OSC2 will sound. For EXi programs which
use two EXi instruments, this setting lets you specify
that only EXi1 or EXi2 will sound. For more
information, please see “OSC Select” on page 361.
Portamento [PRG, Off, 001…127]
Make portamento settings for each MIDI track. For
more information, please see “Portamento” on
page 361.
The portamento setting you make here will be used
when the song is played or recorded from the
beginning. If you change the setting while recording, it
will be recorded as part of the musical data. (However
if you set this to PRG, it will not be recorded.) You can
change this setting during playback. However if you
come to any Portamento On/Off data or Portamento
Time data that was recorded, the settings will change
accordingly.
When the track whose Status (2–1a) is INT or BTH,
MIDI control change CC#5 (Portamento Time) and
CC#65 (Portamento Switch) can be received to control
this and change the setting. (If the setting is PRG,
CC#05 Portamento Time will not be received.)
When you switch songs or return to the beginning of
the song, tracks whose Status is BTH, EXT, or EX2 will
transmit this setting via MIDI. If this is Off, CC#65
with a value of 0 will be transmitted. If this is 001–127,
a CC#65 of 127 and CC#05 of 1–127 will be
transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted and received on the MIDI
channel specified for each track by MIDI Channel (2–
1a).
Max # of Notes [Dynamic, 1…16]
Dynamic is the default. With this setting, you can play
as many notes as the system allows.
1-16 lets you limit the maximum number of notes
played by the Track. Voices will still be allocated
dynamically, up to this maximum number. You can use
this to:
• Model the voice-leading of vintage synthesizers,
such as the Polysix
• Control the resources required by the Track
Max # of Notes applies only when the main Voice
Assign Mode is set to Poly. If Mono is selected, this is
grayed out.
1–1a
0–1a
2–2a
2–2PMC