Filter
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Combination mode
344
Switch Status [Off, On]
This simply shows whether the switch is On or Off.
The status is also shown by the LEDs in the physical
buttons.
Sliders 1–8 and Master Slider
These work identically to Knobs 1–8, as described
above.
Common Tone Adjust Parameters
These parameters affect both Oscillators in a HD-1
Program, or both EXi in an EXi Program. Some EXi
instruments may not support all of the Common Tone
Adjust parameters; for details, please see the
individual EXi manuals.
Unless otherwise noted, all of the following Tone
Adjust parameters are Relative.
Off. This means that the Tone Adjust control has no
effect.
Filter Cutoff. This scales the cutoff frequency of all of
the filters at once. For instance, in the HD-1, it affects
both Filters A and B.
This parameter interacts with CC# 71.
Filter Resonance. This scales the resonance of all of the
filters at once - for instance, in the HD-1, it affects both
Filters A and B. It interacts with CC# 74.
Filter EG Intensity. This scales the effect of the Filter
EG on the cutoff frequency. It affects all of the filters at
once; for instance, in the HD-1, it affects both Filters A
and B.
–99 means no modulation. +99 means maximum
modulation in the same direction, positive or negative,
as the original Program. For instance, if the original
Program’s EG Intensity was set to –25, then setting the
Tone Adjust to +99 moves the EG Intensity to –99.
This parameter interacts with CC# 79.
Amp Velocity Intensity. This scales the effect of
velocity on the Amp level.
–99 removes the velocity modulation entirely. +99
means maximum modulation in the same direction,
positive or negative, as the original Program.
Filter/Amp EG Attack Time. This scales the attack
times of the Filter and Amp EGs, along with other
related parameters.
When the value is +1 or more, this also affects the Amp
EG’s Start and Attack Levels, Start Level AMS, and
Attack Time AMS, as described below:
Between values of +1 and +25, the Start Level, Start
Level AMS, and Attack Time AMS will change from
their programmed values to 0. Over the same range,
the Attack Level will change from its programmed
value to 99.
This parameter interacts with CC# 73.
Filter/Amp EG Decay Time. This scales the decay and
slope times of the Filter and Amp EGs. It interacts with
CC# 75.
Filter/Amp EG Sustain Level. This scales the sustain
levels of the Filter and Amp EGs. It interacts with CC#
70.
Filter/Amp EG Release Time. This scales the release
times of the Filter and Amp EGs. It interacts with CC#
72.
Filter EG Attack Time. This scales the attack times of
the Filter EGs.
Filter EG Decay Time. This scales the decay and slope
times of the Filter EGs.
Filter EG Sustain Level. This scales the sustain levels
of the Filter EGs.
Filter EG Release Time. This scales the release times of
the Filter EGs.
Amp EG Attack Time. This scales the attack times of
the Amp EGs.
Amp EG Decay Time. This scales the decay and slope
times of the Amp EGs.
Amp EG Sustain Level. This scales the sustain levels
of the Amp EGs.
Amp EG Release Time. This scales the release times of
the Amp EGs.
Pitch EG Attack Time. This scales the attack times of
the Pitch EG (or EGs, in the case of some EXi
instruments).
Pitch EG Decay Time. This scales the decay and slope
times of the Pitch EG (or EGs, in the case of some EXi
instruments).
Pitch EG Sustain Level. This scales the sustain levels
of the Pitch EG (or EGs, in the case of some EXi
instruments). Note: this does not apply to the HD-1.
Pitch EG Release Time. This scales the release times of
the Pitch EG (or EGs, in the case of some EXi
instruments). It interacts with CC# 77.
Pitch LFO1 Intensity. This scales the effect of LFO1 on
the Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive
or negative, as the original Program.
LFO1 Speed. This scales LFO1’s frequency. When the
LFO is in MIDI/Tempo mode, this adjusts the Base
Note. For more information, please see “Frequency” on
page 84.
This parameter interacts with CC# 76.
LFO1 Fade. This scales LFO1’s fade-in time. For more
information, please see “Fade” on page 85.
LFO1 Delay. This scales LFO1’s delay time - the time
between note-on and the onset of the LFO. For more
information, please see “Delay” on page 85.
This parameter interacts with CC# 78.
LFO1 Stop. This Absolute parameter controls whether
LFO1 is stopped or running. For more information,
please see “Stop” on page 84.
The PROG setting restores the Program’s original
values - convenient if Oscillator 1’s LFO was stopped,
but Oscillator 2’s was not.