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Program P0: Play 0–9: Control Surface
29
Pitch EG Release Time. (–99…+99)
This scales the release times of the Pitch EG (or EGs, in
the case of some EXi instruments).
Pitch LFO1 Intensity. (–99…+99, CC#77)
This scales the effect of LFO1 on the Pitch.
–99 removes the LFO modulation entirely. +99 means
maximum modulation in the same direction, positive
or negative, as the original Program.
LFO1 Speed. (–99…+99, CC#76)
This scales LFO1’s frequency. When the LFO is in
MIDI/Tempo mode, this adjusts the Base Note. For
more information, please see “Frequency” on page 84.
LFO1 Fade. (–99…+99)
This scales LFO1’s fade-in time. For more information,
please see “Fade” on page 85.
LFO1 Delay. (–99…+99, CC#78)
This scales LFO1’s delay time - the time between note-
on and the onset of the LFO. For more information,
please see “Delay” on page 85.
This parameter interacts with CC# 78.
LFO1 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO1 is
stopped or running. For more information, please see
“Stop” on page 84.
The PROG setting restores the Program’s original
values - convenient if Oscillator 1’s LFO was stopped,
but Oscillator 2’s was not.
LFO2 Speed. (–99…+99)
This scales LFO2’s frequency. When the LFO is in
MIDI/Tempo mode, this adjusts the Base Note. For
more information, please see “Frequency” on page 84.
LFO2 Fade. (–99…+99)
This scales LFO2’s fade-in time. For more information,
please see “Fade” on page 85.
LFO2 Delay. (–99…+99)
This scales LFO2’s delay time - the time between note-
on and the onset of the LFO. For more information,
please see “Delay” on page 85.
LFO2 Stop. (PROG/Off/On, Absolute)
This Absolute parameter controls whether LFO2 is
stopped or running. For more information, please see
“Stop” on page 84.
Common LFO Speed. (–99…+99)
This scales the Common LFO’s frequency. When the
LFO is in MIDI/Tempo mode, this adjusts the Base
Note.
Unison. (Off/On, Absolute)
This Absolute parameter turns Unison on and off. For
more information, please see “Unison” on page 34.
# Of Voices. (2…16, Absolute)
This Absolute parameter sets the number of Unison
voices. If Unison is not On, this parameter has no
effect. For more information, please see “Number of
voices” on page 34.
Detune. (0.0…200.0, Absolute)
This Absolute
parameter sets amount of detuning
between the Unison voices. If Unison is not On, this
parameter has no effect. For more information, please
see “Detune” on page 34.
Thickness. (Off/01…09, Absolute)
This Absolute parameter sets the pattern of detuning
between the Unison voices. If Unison is not On, or if
Detune is set to 0, this parameter has no effect. For
more information, please see “Thickness” on page 35.
Common Step Sequencer Smoothing. (00…99,
Absolute)
This Absolute parameter sets amount of smoothing for
the Common Step Sequencer. Note that this applies
only to EXi Programs. For more information, please see
“Smoothing” on page 166.
HD-1 Tone Adjust Parameters
Macro parameters
The following three parameters affect both Oscillator 1
and Oscillator 2.
* In the list below, the items in parentheses are
(value, edit type) respectively.
Pitch Stretch. (–12…+12, Relative)
This special control increases the Oscillator Tune
parameter while lowering the Transpose parameter.
The result is that the pitch stays the same, but the
mapping of the samples to the keys changes. You can
use this to create interesting shifts in timbre.
Hold. (Off/On, Absolute)
This lets you turn Hold on and off. For more
information on this parameter, see “Hold” on page 35.
Reverse. (PROG/Off/On, Absolute)
This provides a quick way to turn Reverse on or off for
all Multisamples in both Oscillators. PROG restores
the Program’s original settings.
Per-Oscillator parameters
These parameters affect each Oscillator separately. In
the list, the parameters for Oscillator 1 appear first,
with each name prefaced by [OSC1]; the parameters
for Oscillator 2 appear next, prefaced by [OSC2].
Unless otherwise specified, all of the Per-Oscillator
parameters are Absolute.
* In the list below, the items in parentheses are
(value, edit type) respectively.
Tune. (–1200…+1200, Relative)
This Relative parameter adds to or subtracts from the
Oscillator’s Tune setting, as described under “Tune”
on page 48.
NOTE: as with Transpose, below, this is a simple
addition or subtraction, as opposed to the more
complex “scaling” function.
Transpose. (–60…+60, Relative)
This Relative parameter adds to or subtracts from the
Oscillator’s Transpose setting, as described under
“Transpose” on page 48.
MS/WS/DKit Select. (PROG/0…16383, Absolute)
In Single or Double Programs, this lets you select a
new Multisample or Wave Sequence for the Oscillator.
In Drum Programs, it lets you select a different Drum
Kit. In general, it’s best to use this in conjunction with
the MS/WS Type and MS/WS/DKit Bank parameters,
as described below.