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Appendices
970
Step Sequencer
This is the output of the per-voice Step Sequencer. For
more information, see “8–1: Step Sequencer” on
page 203.
EG1 (Filter), EG2 (Pitch), and EGs 3 & 4
These are the outputs of the four assignable EGs. For
more information, see “7–1: EG 1 (Filter)” on page 199.
Amp EG
This is the output of the dedicated Amp EG. For more
information, see “6–3: Amp EG” on page 196.
LFO1 …4
These are the outputs of the four assignable LFOs. For
more information, see “8–2: LFO 1” on page 205.
Filter Key Track and Amp Key Track
These are the outputs of the Filter and Amp Key Track
generators, respectively. For more information, see “5-
3: Filter Modulation” on page 265 and “6-2: Amp
Modulation” on page 270.
EXi CX-3
The CX-3 supports all of the “EXi Common” AMS
sources, in addition to the AMS sources below.
AMS Mixer1&2
These are the outputs of the two AMS Mixers. For
more information, see “6–1: OSC 1 AMS Mixer” on
page 89.
EXi STR-1
The STR-1 supports all of the “EXi Common” AMS
sources, in addition to the AMS sources below.
AMS Mixer1…4
These are the outputs of the four AMS Mixers. For
more information, see “6–1: OSC 1 AMS Mixer” on
page 89.
EG1 (Filter), EG2 (Pitch), and EGs 3 & 4
These are the outputs of the four assignable EGs. For
more information, see “7–1: EG 1 (Filter)” on page 199.
Amp EG
This is the output of the dedicated Amp EG. For more
information, see “6–3: Amp EG” on page 196.
LFO1 …4
These are the outputs of the four assignable LFOs. For
more information, see “8–2: LFO 1” on page 205.
Filter Key Track and Amp Key Track
These are the outputs of the Filter and Amp Key Track
generators, respectively. For more information, see “5–
3: Filter Modulation” on page 188 and “6–2: Amp
Modulation” on page 194.
Damping String Track and Disp. String Track
These are the String Track generators for Damping and
Dispersion, which can be used as AMS sources
elsewhere in the STR-1. For more information, see
“String Track” on page 252.
String Track1 &2
These are the assignable String Track generators 1 and
2. For more information, see “9-9: String Track” on
page 276.
Fret Position
The Fret Position is mostly used to shift the
relationship between incoming notes and the String
Track generators, but is also available as an AMS
source. For more information, see “9-9a: Fret Position”
on page 277)
Fret Number
This AMS source models the current position on the
neck. For more information, see “Fret Number AMS
Source” on page 277.
EXi MS-20EX
The MS-20EX supports all of the “EXi Common” AMS
sources, in addition to the AMS sources below.
AMS Mixer1…4
These are the outputs of the four AMS Mixers. For
more information, see “6–1: OSC 1 AMS Mixer” on
page 89.
EG3…6
These are the outputs of the four assignable EGs. For
more information, see “7–1: EG 1 (Filter)” on page 199.
MG Tri and MG Pulse
The MS-20EX MG always generates both the
triangle/sawtooth and pulse/square waveforms,
simultaneously. For more information, see “5–1b:
MODULATION GENERATOR (MG)” on page 289.
LFO1 …4
These are the outputs of the four assignable LFOs. For
more information, see “8–2: LFO 1” on page 205.
EXi PolysixEX
The PolysixEX supports all of the “EXi Common” AMS
sources, in addition to the AMS sources below.
AMS Mixer1…4
These are the outputs of the four AMS Mixers. For
more information, see “6–1: OSC 1 AMS Mixer” on
page 89.
Polysix EG
This is the output of the original Polysix ADSR
envelope. For more information, see “4-1d: EG” on
page 313.
EG2…3
These are the outputs of the two assignable EGs (in
addition to the original Polysix EG). For more
information, see “7–1: EG 1 (Filter)” on page 199.
MG and MG + Delay
These are the delayed and un-delayed outputs of the
original Polysix MG. For more information, see “4-1b:
MG (Modulation Generator)” on page 312.