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Alternate Modulation Sources (AMS) Alternate Modulation settings
971
LFO1 …2
These are the outputs of the two assignable LFOs. For
more information, see “8–2: LFO 1” on page 205.
Alternate Modulation settings
When you operate an AMS (Alternate Modulation
Source), the modulation destination will be affected as
shown in the table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard
tracks, and controllers work together.
• You can apply complex change to an LFO or EG,
for example by using the pitch/filter/amp EG to
control the frequency or intensity of an LFO that
modulates the pitch/filter/amp, or by using LFO2
to control the frequency of LFO1.
• The tone, EG, and LFO etc. can be controlled not
only by velocity or joystick, but also from a switch,
knob, or pedal etc.
• Panning can be controlled in realtime from a
controller, EG, or LFO etc.
• You can use the filter EG to control pitch or volume
at the same time that it controls the filter.
• Controllers etc. can be used to control EG levels or
times. This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can
be used to control the EG or LFO according to the
keyboard pitch that is played.
• Pitch, tone, EG or LFO can be controlled by the
tempo of the KARMA or sequencer.
HD-1 AMS
AMS source
& value range
Amp EG
0…+99
Pitch & Filter
EGs
–99…0…+99
LFO1 & 2
–99…0…+99
Common LFO
–99…0…+99
Filter & Amp
Key Track
–99…0…+99
Common
Key Track
1 & 2
–99…0…+99
Wave Seq
AMS Out
1 & 2
–99…0…+99
Note Number
C-2…C4…C9
EXT(+/–) *1
–Max…0…+Max
EXT (Tempo) *2
=…60…120…240
…
EXT(+) *3
0…127
Parameter
AMS
Intensity
Pitch *4 (+12.00)
0…+1
Octave
–1…0…+1
Octaves
(Filter EG as
AMS;
dedicated
parameter for
Pitch EG)
dedicated
parameter
–1…0…+1
Octaves
dedicated
parameter
–1…0…+1
Octaves
0…+1
Octave
Pitch EG Int. (+12.00) – – –
–1…0…+1
Octaves
–
–1…0…+1
Octaves
0…+1
Octave
Pitch LFO1/2 Int. (+12.00)
0…+1
Octave
–1…0…+1
Octaves
–
–1…0…+1
Octaves
0…+1
Octave
Filter Frequency (+99)
0…+10
Octaves
–10…0…+10
Octaves
(Pitch EG as
AMS;
dedicated
parameter for
Filter EG)
dedicated
parameters
–10…0…+10
Octaves
0…+10
Octaves
Filter Resonance (+99) 0…+99 –99…0…+99 0…+99
Filter EG Int. (+99) – – – –99…0…+99 – –99…0…+99 – – –99…0…+99 0…+99
Filter LFO1/2 Int. (+99) 0…+99 –99…0…+99 – –99…0…+99 0…+99
Filter Output Level
A/B
(+99) 0…+99 –99…0…+99 0…+99
Drive 0…+99 –99…0…+99 0…+99
Low Boost 0…+99 –99…0…+99 0…+99
Amp (+99) – 0…1x…8x
dedicated
parameter
0…1x…8x
dedicated
parameter
– 0…1x…8x – 0…1x…8x 0…1x…8x
Amp LFO1/2 Int. (+99) 0…+99 –99…0…+99 – –99…0…+99 0…+99
Pan (+50) 0…+63 –63…0…+63 0…+63
EG Level (+66) – – – –99…0…+99 – –99…0…+99 0…+99
EG Time (+49) – – – 1/64x…1x…64x – 1/64x…1x…64x 1x…64x
LFO 1
Frequency *5
(+99) 1x…64x
1/64x…1x…6
4x
1/64x…1x…6
4x
(LFO2 only)
1/64x…1x…64x 1x…64x
LFO 2
Frequency *5
(+99) 1x…64x
1/64x…1x…6
4x
– 1/64x…1x…64x 1x…64x
Common LFO
Frequency *5
(+99) – – – – –
1/64x…1x…6
4x
– 1/64x…1x…64x 1x…64x
Wave Sequence
Start Step
(+63) – – – –63…0…+63 – – –
–63…0…+63 0…+63